About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

GMS Video Experiment with Reason

GMS Video Experiment w/ Reason from Dane Messall on Vimeo.

My student, Dane Messall, has been experimenting with the GMS over the break and just posted this video experiment. He imported the video into the GMS and then interfaced it with Reason’s Thor synthesizer to generate the sound. Nice one, Dane!

People on Shelves


Andrea Streudel just posted some really nice video documentation of the People on Shelves exhibit that was performed on December 9, 2009 at the West Bank Social Center, using music I created during the show. From the original post, “The world premiere of maw.shelves, a software for dynamic 3-dimensional projection. We overlaid another projector to place our real-time, full-body silhouettes on the “shelves”. Music was performed live by Ostraka.” Checkout Minneapolis Art on Wheels for more details.

Spark Festival 2009 Documentation

A website was recently launched by Andrea Streudel and Ali Momeni containing vast amounts of video and audio documentation for the 2009 Spark Festival. I’m going to be spending some time reliving some of my experiences there from last February. This is an incredible archive of materials from the festival. Something from virtually every performance, installation, keynote, and concert is available. To get an idea of the festival and the scope of the documentation I suggest watching the Spark Festival 2009 Overview.

And I would be remiss if I didn’t suggest watching the footage of my group Keston and Westdal with Graham O’Brien at the Bedlam Theater during one of the nightlife events (complete with crazy dancers). More documentation of Keston and Westdal’s performance is available including more video and a complete audio recording of the show.

Visit the site to download footage or audio of practically everything that happened at the festival.

Five Movements for Five Sampled Sounds in Five Loud Speakers

fives

Last Tuesday I performed a sound art installation titled, Fives, at the University of Minnesota. The subtitle of the work is, Five Movements for Five Sampled Sounds in Five Loud Speakers. To produce the sound for the work I used the wavetable glitch machine that I have discussed in a number of recent entries, controlled over a wireless network with an iPod Touch running TouchOSC. The sound objects generated were amplified through five distinct loud speakers arranged on pedestals at about chest height in a pentagonal configuration.

I have more detailed documentation about the project on my portfolio site along with a few photographs taken during the performance, and a 15:37 audio study of the piece in stereo, simulating the five channels necessary to perform the work. Check it out at the link below.

Documentation for FIves on johnkeston.com

Almost 300 GMS Downloads, Responses Needed

ods_sessionAs the GMS approaches three-hundred downloads, I’m starting to get a few questions regarding technical problems. It’s exciting that people are starting to use my software, but as an individual developer, who is also a composer, instructor, performer, and student, I don’t have time to diagnose and troubleshoot every problem on every system.

Therefore, I am asking for your help. If you have downloaded the GMS, please post a comment here describing your success stories or problems. In either instance, please include details about your environment including the operating system, computer specs, camera in use, and if you’re using internal or external sync.

I’ll do my best to respond to Mac issues, but I don’t have consistent access to Windows. If you’re up and running on Windows please respond to questions if you have ideas on how to fix the problem. As always, I’m interested in hearing what you do with the GMS, so post a link to your tracks, and thanks to everyone for participating.