Roof Racket

This morning at approximately 7:14 am roofers started removing four layers of asphalt tiles, along with the original cedar shakes, from the roof of my 102 year old house. Not being one to squander such opportunities, I recorded some of their hammering from inside the house. There’s some really nice wooden resonance to it. I hope you like it as much as I still am enjoying it. The photo is a detail from some of the debris that is collecting around the perimeter of my house. At this stage it was about 18″ deep.

Roof Racket

Robot Conspiracy

I can’t seem to get enough robot action these days. Robots have lots of personality. Much more than politicians who convene in St. Paul. I used a similar technique to get this sound as I did for Robot Music. This time, however, I did a bit of processing after the fact, including pitching the recording down thirteen steps. Why thirteen? Because thirteen is a cool number. It’s subversive and pagan and not a floor in lots of buildings. I also added some standard reverberation and automated up some delay at the end to please my sense of aural space.

Robot Conspiracy

Pro-One Dub

Having been asked on more than one occasion, it is about time that I posted a sound from one of my favorite synthesizers, the Sequential Circuits Pro-One. This is actually two layered tracks of sounds I made with the Pro-One today in a session with Nils Westdal. The sounds are effects for a dub track at 73 beats per minute. I ran them through a couple of tempo delays and reverb to create some atmosphere. Even after using this instrument for more than ten years I still manage to get new sounds out of it. Perhaps it’s the unpredictability of the analogue oscillators and filters, or the fact that you cannot store presets, in any case it seems to breathe and even sometimes cough as if it needs to wake up a bit before behaving consistently. The short story is that this simple mono-synth from the early 1980’s has a lot of character.

Pro-One Dub

Robot Music

I produced this sound by playing one note in a virtual instrument called “Harmonic Dreamz” which is part of Pluggo by Cycling74. After that I automated random patch changes so that all of the twenty eight parameters included in the Harmonic Dreamz instrument were flying all over the place creating a frenetic passage of electronic mayhem. Then I arpeggiated the note with some slight randomness to the pattern and ended up with this.

To me it sounds as if it could be speech or perhaps singing in a robot language. I recorded several examples of it. Some of the other examples have slight variations and others have significant variations, so I may post some other versions at some point. This recording is in mono with no processing. The output is exactly what the virtual instrument produced given the parameters sent to the device.

Robot Instigator