Time Expanded Radio Static

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If you had a chance to hear Johannes Kreidler’s piece, Product Placement, made up of 70,200 samples in 0:33 seconds, then you probably thought is sounded a lot like radio static. To me it sounds like parts of it were time compressed and probably up-pitched, but altogether quite an achievement. Although, you might find the style of Akufen’s piece, Deck the House, more musical.

Rather than time compress the radio static I posted yesterday, I had a go at time expanding it. Time expansion works by stretching waveforms without changing the pitch. This can have some odd results when time expanding by a significant amount. You will often hear a repetitive stuttering, or garbled effect, like what’s happening in this example. In the image you can see the garbled sections represented as rectangular patterns that occur throughout the waveform.

Time Expanded Radio Static

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

8 thoughts on “Time Expanded Radio Static”

  1. Sounds like you’ve digitally trapped the ghost of Eric Satie at 6 seconds, and he’s saying “I hurt”.

  4. No offense, but this isn’t a very good example of the current state of time stretching. Altering the size of your buffer along with the speed in which you’re iterating over it can all but remove stuttering. Transitional smoothing and multiple buffers can help too.

  5. Hey, Inno. Can you post an example for us? On this recording I was over using time expansion purposefully for the sake of experimenting, but I’d love to hear a contrasting usage of the effect.

  6. Pingback: KULTURTECHNO » Product Placements Linkliste

  8. That is an eerie sounding clip. Thanks for posting. It definitely stutters less than my example as well. I will have to give your technique a shot next time. Cheers!

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