Piano and Kalimba

Every so often I think it might be a good idea to record using acoustic instruments I have lying around my studio. This time I started with a little loop of syncopated piano. On top of that I added a very simple melody with a kalimba, or thumb piano. There’s no processing other than normalization to -3db to give the levels a little boost.

I have dozens of these tiny pieces, and once in a great while they actually get finished as tracks, but the vast majority of them, like this example, sit in dusty folders on backup hard drives. Most of the time that is exactly where they belong, but I do review them occasionally to get ideas or see if there’s anything worth producing.

Piano meets Kalimba

Distorted Percussion

In this category I am planning to post a new sound everyday. I may not have created the sound the very same day of the post, but it will be something recent at the very least and more than likely created on the day I submit it. The idea is something like my colleague Tim Armato’s p{365} blog where he is posting a Processing sketch every day for a year.

My goal is to learn more about some of the audio processing that is available to me. It’s not always convenient when working on a project to explore new plugins or new ways to use old ones, especially in the studio or while collaborating. With this exercise I can do that and archive the results here. I’ll briefly describe the process of creating each sound and something about the software and hardware involved.

Today’s sound is a loop of audio that has been heavily processed in Ableton Live with filter taps (Pluggo), distortion, eq, dub delay (MDA), reverb, and more. The loop is an excerpt from a remix of “Some Kind of Adhesive” (One Day to Save All Life) that I produced with Nils Westdal. Believe it or not it started out as a simple shaker pattern. To me it sounds similar to the over driven thumb pianos of Konono N°1, although this was an accident since I was basically tuning the pitches to work in the remix. After I added distortion and a little virtual knob turning on the dub delay, this is what I got.

Distorted Percussion

One Day to Save All Life

Keston and Westdal’s third album titled One Day to Save All Life (ODTSAL) is currently available for pre-ordering through Unearthed Music. The CD package will be printed on 100% recycled paper and the CD tray is made from 100% post consumer waste. All pre-orders will be shipped on, or up to two weeks before the scheduled release date of March 25, 2008.

A CD release party is schedule on March 29, 2008 at the Minnesota Museum of American Art (MMAA.org). Other artists include Kyle Herskovitz, Cepia (Ghostly International) and Primadonahue. An industry listening party is TBA.

Recent Response to ODTSAL:
A full review of the album has been posted on Properly Chilled, one of the top sites for downtempo reviews, artists interviews, and podcasts.

“This work is quite different than previous and is applauded on every level. [They] have certainly defined a sound that resonates through on this unique work. Westdal’s bass is beautifully morphed and Keston’s keys and digi work have stepped over the horizon with a definable expertise. I think I have listened to it three times already. Bravo!” – Chris Lindsey, Slackline Radio

Use this link to pre-order ODTSAL:
http://unearthedmusic.com/?source=view_release.php?rid=3

Other links:
http://www.kestwest.com
http://www.unearthedmusic.com
http://www.myspace.com/kestwest
http://www.myspace.com/unearthedmusic