Today has been a busy day on ACB with new contributor Tom Player’s lovely yacht recording and Nils Westdal’s Christopher Willits remix. So, all I have for you is a quick sound to fulfill my One Sound Every Day duties. I created this diffused noise montage by pitching down a metal wheel scraping sound and then running it through a very long reverb.
Reverberated Metal Scraping
Listening on monitors or good quality phones will allow you to hear the deep tone created when I smacked my palm against the side of the rigid front fork from my Surly 1×1 single speed mountain bike. I captured this sound with my PCM-D50 using the built in mics. This was a quiet sound so I needed to record in a quiet space.
This time I used my bedroom. The first step was to turn down the heat and wait for the fan to stop on the forced air heating system. Secondly I put the recorder on a stable surface (i.e. the bedside table) held the fork with my left hand while smacking it with my right palm.
Surly 1×1 Rigid Front Fork
This afternoon I stumbled upon another one of my recent FM synthesis experiments from November 2, 2008. On that day I recorded eight minutes of output from select randomized programs that I produced using a MaxMSP patch called X.FM. You can hear all of the examples I have posted so far by clicking on the FM Synthesis topic.
This eighth example in the series has some nice rhythmic, pulsating characteristics to it. I edited the sound out from the surrounding audio, then exported it with normalization to boost the levels.
Insectoid X-19
A couple of weeks ago, while working in the studio with Nils Westdal, we decided to experiment with an old amplifier that has a built in spring reverb. We plugged the direct out into a firewire interface and hit the record button in the software. Nothing was plugged into the amp, but by turning up the reverb knob all the way and the volume most of the way up, the spring reverb became very sensitive to vibrations. All that was left to do was to bang the amp around a bit while capturing the output.
Spring Reverb
Last Friday, November 7th, to mark my one hundredth sound posted in the One Sound Every Day category, I sequenced forty two equally sized micro samples extracted from sounds I had posted here on AudioCookbook.org. Due to a trip scheduled out of the country, I ran out of time and did not compile all of the available ninety nine sounds into the piece. As promised in the original post, I have now managed to complete the chronologically sequenced compilation of micro samples into eight seconds of chaotic noise. I extended the one hundredth sample of Caribbean surf as an ending to the staccato sequence.
100 Micro Samples