More Pro-One Dub

Here’s another sound that I would label as “Pro-One Dub”. I guess all that really means is knob turning and delay, but when you get good results with this instrument you know it. I love the fact that you cannot store presets on old analog gear. It makes you create a new sound every time you turn it on. I had the knobs in a pretty good position to start this time, but after a few more adjustments I got this great modulated effect with the LFO near top speed and at maximum amount. Just tapping a key gave me this nice squirty raygun effect, so I dropped that in the track before getting my sound for the melodic line I needed for the piece. Here’s a chunk of it pitched down a bit and running through a short delay with lots of feedback to create a vintage raygun effect.

Pro-One Raygun

Mississippi (Founders Mix)

AudioCookbook.org has been featured today on ccMixter, “ccMixter is a community music site featuring remixes licensed under Creative Commons where you can listen to, sample, mash-up, or interact with music in whatever way you want.” Along with the announcement, the ccMixter artist, Victor (aka fourstones) posted a remix called Mississippi (Founders Mix) using several recordings from AudioCookbook.org. Samples used include, Roof Racket, Piano Mallet Loop, Pro-One Dub, AM Radio Static, Time Expanded Radio Static, vocals by Kristin Hersh and several others. Checkout the mix on ccMixter for more information. Since the track uses several samples from AudioCookbook.org I am posting it here as today’s entry into the “One Sound Every Day” project. This marks the first time that I have not directly produced the daily sound, however, I feel this is an excellent example. If you like the track, head over to ccMixter and give some love to Victor for this tasty mashup.

Mississippi (Founders Mix)

Pro-One Dub

Having been asked on more than one occasion, it is about time that I posted a sound from one of my favorite synthesizers, the Sequential Circuits Pro-One. This is actually two layered tracks of sounds I made with the Pro-One today in a session with Nils Westdal. The sounds are effects for a dub track at 73 beats per minute. I ran them through a couple of tempo delays and reverb to create some atmosphere. Even after using this instrument for more than ten years I still manage to get new sounds out of it. Perhaps it’s the unpredictability of the analogue oscillators and filters, or the fact that you cannot store presets, in any case it seems to breathe and even sometimes cough as if it needs to wake up a bit before behaving consistently. The short story is that this simple mono-synth from the early 1980’s has a lot of character.

Pro-One Dub