I have received a few notices of intent to participate in the GMS Generative Track Competition, but no entries so far. The deadline is still May 31, 2010, but I may extend it if necessary. Please drop me a line if you’re intending to submit something, or need more time. Here’s the original entry that includes the details about the competition.
I am excited to have the opportunity to teach an upper level sound design class to digital film students this Fall. I have several books in my collection that relate to sound design that cover very specific topics, but what I’ll need for the class is a book that covers a broad spectrum of concepts within the field. The course competencies include multi-tracking, mixing, sampling techniques, signal processing, equalization, editing, synchronization of audio and video, Foley, and ADR. Does anyone have any suggestions for a book focused on sound design, but general enough to cover all of these topics?
To give you an idea of what I’m looking for, I currently use Real World Digital Audio by Peter Kirn for an entry level audio production class that is a prerequisite for the sound design class. Peter’s book works really well because it’s current and covers exactly what I wanted for the audio production class in an illustrated, thorough, yet clear and concise way.
I just got a note from Matt Musick at Vice Magazine regarding a feature on Devo just posted on Motherboard.tv. I haven’t had a chance to properly watch the entire feature, but I’ve been anticipating this, and will give it a good watch as soon as I am able. Here’s Matt’s note:
Hello John. I really think the Audio Cookbook audience would get a kick out of this piece and wanted to pass your way. The new episode of Electric Independence documents a rare look inside Devo’s studio. Mark Mothersbaugh himself gives us a tour through the space and shows us some of his favorite (and strangest) synths and circuit bending noisemakers. The guys even tell us some funny stories of their early Akron days, like the large girls (or “mother hens” as they like to call them) who would circle their equipment to warm it up before playing on those cold Ohio nights.
Watch Electric Independence: Inside Devo’s UFO Studio, They Whip It New Wave, But With New Hats
Motherboard.tv has just released the second episode of their Sound Builders series featuring sound designer and composer, Diego Stocco. This is a really nice glimpse into Diego’s fascinating working method. If you’re unfamiliar with Diego’s work, make sure you visit his site and check out the videos of his recent creations, and sometimes destruction.
What good is a Weird Sound Generator if you’re not using it to make weird sounds? Sometimes it is nice to just hold it on your lap and stroke it gently. That aside, it’s quiet useful once you plug it in and start twiddling the knobs. Here’s a piece I created by tuning the each of the four oscillators on the WSG and then fiddled with the filters. At the same time I made some adjustments to a phaser that I was running it through in Ableton Live and topped it off with ping pong delay.
Four Oscillator Drone