Here’s a list of upcoming performances from my trio, DGK (Davis, Glenn, Keston) and my solo project, Ostraka. First up is DGK at the Turf Club in St. Paul, Minnesota on Friday, January 28, 2011. Also on the bill is Dosh and H.U.N.X. Doors at 9:00pm. $5.00. Main stage. Next up is Ostraka at Nick & Eddie Thursday Funhouse on February 3, 2011. Doors at 10:00pm. Located in the back bar. Free entry. Thirdly we have DGK at the Red Stag Supper Club on Monday, February 21, 2011. Doors are at 9:00pm. No cover.
I created the following generative sequence using GMS (click for details), during a solo performance at the Spark Festival of Electronic Music and Art, October 2010. One of the virtual instruments I used in the set is an Open Source, Roland Super JX10 emulator made by MDA. The Roland Super JX10 was one of the last great analog poly-synths produced by Roland, and the first Roland synth to receive velocity and aftertouch treatment on the 76 key keyboard. Although I never owned one of these, I have played one before, and I imagine that programming them was brain surgery without the optional PG-800 programmer. In the documentation for the MDA JX10 they state, “[this] plug-in is designed for high quality (lower aliasing than most soft synths) and low processor usage – this means that some features that would increase CPU load have been left out”. To me this plugin sounds very good. I’d like to hear from anyone who owns or has played a Roland Super JX10 for their perspective on this instrument.
Here’s a sound I coaxed out of the Korg Monotron during my live set at Nick and Eddie Thursday Funhouse that I mentioned in the last article. One again, you can download the entire set here. In my previous demos of the Monotron I used no processing, so this time I decided to present it exactly as it was performed in the live set, through stereo delay and reverb sends. The sound of this minute instrument never ceases to amaze me.
Here’s a sound I produced during a live set at Nick and Eddie for the Thursday Funhouse series under my Ostraka moniker. You can download the entire set that I released as a holiday gift last month. I used Grain Machine which is a touch based granular synthesis instrument that I developed in Max for Live to create the sound. Grain Machine requires a device running TouchOSC such as an iPhone, iPod Touch, or Android device for the touch based control. There’s a rotary wheel with friction modeling, and an x-y pad for granular exploration.
Today’s One Synthesizer Sound Every Day involves using the arpeggiator built into Ableton Live. The arpeggiator, found under MIDI Effects, is a pretty simple tool, there are the usual up, down, up/down patterns as well as random, random once (repeats a random pattern), and random other (doesn’t play the same note twice).
This one minute and fifty second microtrack is composed of two layers of arpeggios created by routing Ableton’s arpeggiator to my newly restored Roland Juno-106. I added some filtered tempo delay and mixed in some reverb on the fade out to polish it off. I wish I had a piece of hardware that did exactly what Ableton’s Arpeggiator does (perhaps with the addition of a tap tempo button). In fact I started a discussion about this on the Electronic Musicians Network, a Facebook group started by my friend Robert Luna. Friend me, then message me there if you’d like to participate in the group. I’ll write an article soon compiling my research into dedicated hardware arpeggiators and hardware sequencers. Here are the arpeggios combined.
I created the following generative sequence using 
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