Hojun Song on the Creators Project

Posted on May 21, 2010 by John C.S. Keston

Seoul based artist and engineer, Hojun Song, is one of the featured artists on the Creators Project. Hojun engineers custom MIDI controllers, satellites, and “The Strongest Weapon in the World”; an unbreakable machine that prints out beautiful messages. The Creators Project is “…a global initiative bringing together the world’s leading and most relevant innovators in music, art, film, design and architecture through a common passion for creativity and technology.” Other featured artists include Diplo, Muti Randolph, Richie Hawtin, Karl Sadler, Phoenix, with dozens more on deck. Check it out at www.thecreatorsproject.com.

Book Ideas for a Sound Design Class?

Posted on April 28, 2010 by John C.S. Keston

I am excited to have the opportunity to teach an upper level sound design class to digital film students this Fall. I have several books in my collection that relate to sound design that cover very specific topics, but what I’ll need for the class is a book that covers a broad spectrum of concepts within the field. The course competencies include multi-tracking, mixing, sampling techniques, signal processing, equalization, editing, synchronization of audio and video, Foley, and ADR. Does anyone have any suggestions for a book focused on sound design, but general enough to cover all of these topics?

To give you an idea of what I’m looking for, I currently use Real World Digital Audio by Peter Kirn for an entry level audio production class that is a prerequisite for the sound design class. Peter’s book works really well because it’s current and covers exactly what I wanted for the audio production class in an illustrated, thorough, yet clear and concise way.

Korg MS2000 Bricked by Firmware Update

Posted on March 16, 2010 by John C.S. Keston

ACB readers are sure to be aware from previous posts that my Korg MS2000 is one of my favorite and most indispensable synths. Embarrassingly I seem to have turned it into a drink stand during a firmware update. I used the firmware upgrade utility on korg.com to attempt the update. The process failed part way through and now my beloved instrument is a brick, well more like a cement block, that shows a blank back-lit display after turning it on. I’ve tried resending the update at all the available speeds that the utility allows with no impact on the results. I also tried a factory reset to no avail. I’m going to try again tomorrow with a different MIDI interface, but I’m afraid that this isn’t going to be an easy fix. I’ve searched the forums for a solution, but haven’t found anything. If anyone has any suggestion, please let me know. I’m desperate to get this thing up and running again.

Snyderphonics Manta

Posted on November 24, 2009 by John C.S. Keston

Recently I read an article in Future Music on the Snyderphonics Manta OSC controller. I’m getting more and more into OSC (Open Sound Control), so this is a really fascinating device that I can see replacing and expanding upon what I’m building for the iPod Touch. The Manta has forty-eight touch sensors on a six by eight pad. Each sensor can handle note on/off and velocity information, which you can’t do on the iPod Touch. It also has two touch sliders and four touch buttons, all assignable via OSC, or MIDI with a free application that’s available on synderphonics.com. The device also accepts input in order to provide feedback via LEDs that back light the controls. I have been researching and experimenting with multitouch devices to do music and sound design for a while now, and the Manta seems to solve a lot of shortcomings of other devices. Congratulations to Jeff Snyder for designing a unique and intriguing instrument.

Monophonic Step Sequencer Max Patch Download

Posted on September 26, 2009 by John C.S. Keston

Here’s an archive that contains the patch and a standalone application (Mac OSX only) of the step sequencer that I built in MaxMSP a few days ago. The sequencer works pretty well sending MIDI, but I haven’t really fine tuned the internal synthesis. Currently it uses a function object with an adjustable domain to adjust the amplitude envelope of a sinusoidal, but if the note length (function domain) is either too short or too long, clicks occur between notes. What I need to do is ramp up or down to the proper level for each new note. I’ll post an update here when I come up with a solution. If any Max veterans out there have any suggestions, please feel free to post a comment.