This is the fifteenth of sixteen pieces that I composed and performed during each vignette of the dance production “In Habit: Living Patterns,” performed at Northern Spark in June, 2012. This is also the last of two of the pieces in the series that I used a patch that I programmed to simulate a Japanese reed instrument called a shō.
This is the fourteenth of sixteen pieces that I composed and performed during each vignette of the dance production “In Habit: Living Patterns,” performed at Northern Spark in June, 2012. This one was based on the Eight Minute Drone that I shared last year.
Midnight Playground is an interactive, kinetic, installation by Peng Wu, Jack Pavlik, John Keston, and Analaura Juarez. Peng initiated and directed the idea, Jack built the jump rope robot, and Annalaura helped refine the concept and promote the piece. My role was to produce the music and track it to the still images that Peng had selected. I ended up making a one hour video with thirty minutes of the image from the moon followed by a four second transition into another thirty minutes with an image of Mars. To produce the sound I gave Peng a list of audio excerpts that had all been previously posted on AudioCookbook in One Synthesizer Sound Every Day. He picked the two that he thought would work the best and I went back to my original recordings and processed them specifically for the piece by adding some reverb and delay to enhance the spacial properties of the music. The piece will be on display in Gallery 148 at the Minneapolis College of Art and Design through January 29, 2012.
This experiment is called Magnet Head and features a filtered drone combined with percussive, analog spatterings all generated by the Roland MKS-80.
Magnet Head
A sixteen note sequence I programmed into the Pro-One and then ran it through the Memory Man while haphazardly twirling knobs.
Pro-One Sequence