I came across this sample from a performance on July 13, 2006. It is a delayed synthesizer line that I played and captured as a clip in Ableton Live during the show. What’s interesting to me about this clip is the obvious modulation in pitch on the delay trails. This is not something that I programmed into the patch and I suspect is actually caused by a bug in the Korg MS2000. It’s possible to recreate this bug by enabling tempo delay then sending external sync to the instrument. I rarely experience this glitch anymore because rather than using the delay on the Korg, I usually run it through tempo delay in the software. However, I kind of like the ghostly quality it creates in this short passage.
Warbled Synth Delay
I just recycled this ten year old recording made on my Hohner E7 Clavinet. It was originally a track in the piece Onikoroshi on the album 
I recently recorded loads of bits and pieces of melodies and bass lines with my Maxi-Korg. This is an example of one of the ways I have attempted to assemble the parts into a musical form. 
With help from my father who was visiting recently, I have built a new desk for my studio. The idea I had was to build a desk wide enough to build a keyboard drawer underneath. What I came up with was a simple design using three quarter inch plywood, quarter inch ply for the backing and one by three pine for a brace and attachments for the eighteen inch ball bearing drawer runners. The keyboard is a CME UF7 semi-weighted controller. 
It has made a huge difference in the ergonomics of my studio to have this controller readily available without having to have it take up extra space on a stand. Here’s a segment from a piece I wrote soon after putting the studio back together with the new desk. I’m using the CME to control my the grand piano patch on my Yamaha A3000 rack mount sampler. The Rhodes is my 1976 suitcase model that does not leave the studio.