Saucer Sled Synth

Recently I built a Posc (Pocket Oscillator by Sonodrome) and discussed it in this entry with an audio example. Shortly afterward I built the circuit into a cardboard box and used the instrument in a number of performances and recording sessions. Now I have disassembled my beloved cardboard box and created a new instrument for an upcoming dance performance. This updated prototype is made from a plastic saucer sled, a 4″ speaker, a recycled nine volt amplifier, and the Posc circuit.

I started by drilling a grid pattern of air holes for the speaker. I then mounted the speaker behind the grid as shown. Finally I soldered the Posc circuit to the nine volt amp and the amp to the speaker. Two nine volt batteries and some duct tape completed the prototype. The night of the build I handed it to Pramila Vasudevan, the choreographer for the piece, and was amazed by the sound quality, and the response of the instrument to her movements. The final product will most likely be fabricated out of fiberglass to improve the rigidity and resonance of the disc or “shield”.

Read on to see a few more photos of the instrument.
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Korg Monotron First Impressions

Lately, as you might have noticed, I’m attracted to synthesizers that don’t necessarily use keyboards for input. The Korg Monotron is a $60.00 battery operated true analog synthesizer with a ribbon controller and five knobs to control pitch, LFO rate / intensity, and VCF cutoff / peak. The Monotron will be available in the US this July. For more details checkout this article on Synthtopia.com.

Read on for more Korg Monotron videos. The next one is especially good.

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Book Ideas for a Sound Design Class?

I am excited to have the opportunity to teach an upper level sound design class to digital film students this Fall. I have several books in my collection that relate to sound design that cover very specific topics, but what I’ll need for the class is a book that covers a broad spectrum of concepts within the field. The course competencies include multi-tracking, mixing, sampling techniques, signal processing, equalization, editing, synchronization of audio and video, Foley, and ADR. Does anyone have any suggestions for a book focused on sound design, but general enough to cover all of these topics?

To give you an idea of what I’m looking for, I currently use Real World Digital Audio by Peter Kirn for an entry level audio production class that is a prerequisite for the sound design class. Peter’s book works really well because it’s current and covers exactly what I wanted for the audio production class in an illustrated, thorough, yet clear and concise way.

Experimental Music Mondays: Ephemeral Structures

This Monday, April 26, 2010 is the third installment of Experimental Music Mondays at the Kitty Cat Klub in Minneapolis, Minnesota. The line-up includes violin soloist Kip Jones, Ephemeral Structures, and Primidonahue (Michael Donahue). The music will start at around 9:00pm and there’s no cover to get into the club.

Yesterday afternoon I had a fantastic session with Ephemeral Structures. Although we have all worked with each other in several capacities, this is only the second time the group has performed in eight years. The result of yesterday’s session were pretty inspiring, so we are considering producing an album. The project includes Kyle Herskovitz (also know as DJ Zenrock) on turntables, Nils Westdal on bass and electronics, and me on electronics. The photo shows Kyle playing his turntable with a rubber band. I’ll share a segment of what we captured in a upcoming entry.

Electric Independence: Inside Devo’s UFO Studio

I just got a note from Matt Musick at Vice Magazine regarding a feature on Devo just posted on Motherboard.tv. I haven’t had a chance to properly watch the entire feature, but I’ve been anticipating this, and will give it a good watch as soon as I am able. Here’s Matt’s note:

Hello John. I really think the Audio Cookbook audience would get a kick out of this piece and wanted to pass your way. The new episode of Electric Independence documents a rare look inside Devo’s studio. Mark Mothersbaugh himself gives us a tour through the space and shows us some of his favorite (and strangest) synths and circuit bending noisemakers. The guys even tell us some funny stories of their early Akron days, like the large girls (or “mother hens” as they like to call them) who would circle their equipment to warm it up before playing on those cold Ohio nights.

Watch Electric Independence: Inside Devo’s UFO Studio, They Whip It New Wave, But With New Hats