Sync and Filter Modulated Chordal Drone

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And we’re back… After twenty days of five-minutes-here and one-hour-there since the crash I have managed to recover a significant percentage of the original content of AudioCookbook.org. There are still hundreds of audio files that need to be put back in place, and probably a lot of lost images, but the first ten (of eighty) pages are cloase to 100% recovered. I have also created a new design based on the clean and functional Twenty Eleven WordPress theme. This responsive design looks nicer and will also provide a better user experience on mobile devices.

Although there is lots more to be done, now it is time to get back to the business at hand. Making sounds! At this stage I can’t guarantee daily output, but I intend to work up to it. Here’s a chordal drone that I created recently using my Roland MKS-80. I modulated the filter and the VCO frequency with the LFO set to a sine wave. However, you will not hear the pitch sweeping because the oscillator that is modulated is synched to the unmodulated one.

Sync and Filter Modulated Chordal Drone

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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