Here’s another example that fits into the stacked polyphonic synthesis series I started on April 4, 2011 with Stacked Polysynths Part 1. This time I played a chord progression while recording rather than adjusting parameters in realtime, making it into a micro-track of sorts. The fifths sounds was on the D-50 while the filter sweeping sound is something I dialed in on the MKS-80.

Stacked Polys Part 4