Phone Recording of Drum Jam in Mexico

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You may have thought that I have posted some random clips of audio on this site in the past. That is a fair statement, but tonight I have converted seventeen recordings I have made with my Sony Ericsson K800i mobile phone to .wav format. They are more nostalgic than useful so I won’t be posting all of them, but they do have a certain charm in an ultra lofi way.

The phone records sound at 16 bit. The sampling rate, on the other hand, is only 8 kHz – nowhere near the fidelity of standard audio CDs (44.1 kHz). So here is something on a pretty high magnitude of randomness: a drum jam I recorded at a little open air club in Playa del Carmen, Mexico back in March, 2007. The music was good. The tequila was better. The recording is awful. If you brave this one out, then you know what an 8 kHz phone recording sounds like.

Phone Recording of Drum Jam in Mexico

 

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

2 thoughts on “Phone Recording of Drum Jam in Mexico”

  1. love it! there is definitely a time and a place for low-fi recordings — I think they invoke a certain feeling, a type of nostalgia or ‘old-timey-ness’ — DJ Shadow and MF Doom in particular use lo-fi recs very effectively

  2. It sounds to my ears a lot like a 78RPM acoustic recording — you know, where the musicians stood around an acoustic horn that’s attached to a cutting head.

    So if you want that sort of sound for something, use your phone, sample some vinyl surface noise to lay over it and bob’s yer uncle.

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