This video features me and Lucas Melchior improvising on two synched up Korg Monotribes. This time with the tempo at 121BPM. The Korg NanoKontrol is being used to apply swing to the sync signal as well as control delays and filters.
This video features me and Lucas Melchior improvising on two synched up Korg Monotribes. This time with the tempo at 140BPM. The Korg NanoKontrol is being used to apply swing to the sync signal as well as control delays and filters.
This video features me and Lucas Melchior improvising on two synched up Korg Monotribes. This time with the tempo at 150BPM. The Korg NanoKontrol is being used to apply swing to the sync signal as well as control delays and filters.
This video features me and Lucas Melchior improvising on two synched up Korg Monotribes. The Korg NanoKontrol is being used to apply swing to the sync signal as well as control delays and filters. As I mentioned earlier, we are teaching a class, titled “Drum Machines,” starting January 17, 2013 at the Ableton certified training center Slam Academy in Minneapolis.
Sign up for the class here:
http://slamacademy.com/2012/11/09/drum-machines
This is an excerpt from a performance by DKO from the MCAD MFA open studio night on December 7, 2012 as discussed in the post Live Binaural Recording of DKO with Oliver Grudem. The document features Oliver Grudem (not shown) who produced the audiovisual score in real-time. The video and sound coming from the LED display and loud speaker below it was broadcast into the performance space as Oliver walked around the Minneapolis Uptown area during a snow storm. The visuals and sound from his walk provided a “score” for us to respond to as we improvised. Oliver was also able to hear our musical reactions to the audiovisual score as he was broadcasting and respond accordingly.
The piece was recorded with my custom built binaural head microphone to capture the sound localization of the performance space. NOTE: It is necessary to wear high quality headphones to experience the binaural effect. The spatial properties of studio monitors are also acceptable but will not produce the same localization of the sound sources. Thanks goes out to Eric Dowell for shooting video of the one hour long performance. I am working on editing a shorter version to briefly summarize the essence of the piece. This 13 minute video is a more in depth snapshot of what the performance entailed.