This afternoon I stumbled upon another one of my recent FM synthesis experiments from November 2, 2008. On that day I recorded eight minutes of output from select randomized programs that I produced using a MaxMSP patch called X.FM. You can hear all of the examples I have posted so far by clicking on the FM Synthesis topic.
This eighth example in the series has some nice rhythmic, pulsating characteristics to it. I edited the sound out from the surrounding audio, then exported it with normalization to boost the levels.
Insectoid X-19
After several weeks of research I have finally made a decision and purchased a 
Over processing usually leaves you with audio that lacks it original luster, or perhaps it starts to sound like the processor itself. However, sometimes you might end up with something interesting as a result of pushing the processing beyond the normal boundaries. While listening to the 
I top and tailed this clip of ambiance from a popular lunch spot in downtown Minneapolis, applying quick fades in the beginning and end of the twenty four second example. I also applied normalization to boost the levels. 
A couple of weeks ago, while working in the studio with Nils Westdal, we decided to experiment with an old amplifier that has a built in spring reverb. We plugged the direct out into a firewire interface and hit the record button in the software. Nothing was plugged into the amp, but by turning up the reverb knob all the way and the volume most of the way up, the spring reverb became very sensitive to vibrations. All that was left to do was to bang the amp around a bit while capturing the output.