Absolutely nothing is distinguishable in these samples after all the processing that has been applied. My goal was to make a sequence of random samples sound as nasty as possible by applying down sampling, bit reduction, and distortion, then bring it back into something tolerable by applying some resonance filters and reverberation.
I automated the frequency and dry mix of the resonator so I could create some Theremin like pitch sweeping as well as bring in and out the noise of the bit reduced samples throughout the piece. What I ended up with is a palate of odd textures and diffused noise suitable for frightening the neighbors on a chilly Autumn evening.
Downsampled Fuzzed and Resonated
I captured this Minneapolis skyway busking regular playing a mean version of Moonshadow by Cat Stevens on his accordion today during my lunch break. 
Subconsciously fulfilling the 
As the sound of the freight train faded off into the distance and the railroad crossing bells came into view, I continued recording while deliberately walking on top of the large gravel that surrounded the train tracks. I particularly like the course crunching sound my footsteps made on the large gravel in contrast to the the softer sound of the finer gravel path leading away from the tracks. The wind screen helped but you can still hear some of it on the diaphragm giving the recording some lackluster, non-technical characteristics. 
Here’s another recording made with the 3g iPod field recording kit I described in the last entry. This time I managed to get the device to record properly using the 96kHz sampling rate. I’m using the mic input on the iPod via the headphone jack, so the recordings are still in mono.