iPad with QuNexus and AudioBus Demo

For the last few weeks I have be in the midst of remodeling my mixing studio leaving me with no place work on electronic music. Soon I’ll have my studio back, but whilst I’m waiting for the flooring to arrive I decided to take the opportunity to explore using the iPad exclusively (with various apps and the QuNexus) to produce and perform tracks.

I’ve been looking at a long list of apps, but for this video I chose to narrow things down to AudioBus, Samplr, Sunrizer, and Propellerheads Figure (not shown in the video). The process started in Figure where I created a drum pattern, pizzicato bass line, and synth melody. I then used Sonoma AudioCopy/Paste to get the parts into Samplr on separate tracks. Next I recorded an arpeggio from Sunrizer into Samplr that I used in two of the slots, but setup quite differently from each other. Finally I recorded a bit of vocal straight in via the internal mic to use as a effect. During the performance I used the touchscreen to manipulate the layers and adjust the processing in Samplr, then I used the QuNexus connected via the iPad Camera Kit to play a mono synth patch in Sunrizer.

For me this experiment serves as a proof of concept. The audio quality coming out of the iPad is not great, but it’s not bad either and can be improved by adding an audio interface. Any latency was hardly noticeable with the 4th generation iPad that I’m using. In another experiment I even had two controllers connected to the Camera Kit with a USB hub. Both running on bus power. Unfortunately this did cause the “connected USB device uses too much power” error to come up occasionally, but a powered USB hub will solve that.

So what’s the prognosis? In my view the iPad is approaching the professionalism of some laptop setups. If you need an ultraportable system there’s going to be some subset of apps and hardware out there that will serve most purposes. More interesting than that is the range of applications and the innovation that comes along many of them as a result of the multitouch interface. Samplr, for example, is really a pleasure to use and features seven different play modes that allow you to interact with the audio in unique and addicting ways. Beyond being just a scratch pad setups like these are a way to change one’s perspective and try a new approach to music making.

Is anyone else discovering intriguing new ways to produce using mobile devices? Whether it’s the iPad, OP-1, Android Tablet, or harmonica I would love to hear about what you’re learning and hear what you’re producing with these sorts of techniques.

Instant Cinema: Teleportation Platform X

Instant Cinema Works in Progress

June 8 through 9, 2013 is this year’s Northern Spark Festival and I am participating with a project that I am directing called Instant Cinema: Teleportation Platform X. This is a collaborative effort with an amazing team of artists and musicians involved including the members of DKO, David T. Steinman as the Mobile Conductor, and Jon Steinhorst as our Artistic Director.

Instant Cinema - Mobile Conductor

The nine hour performance running from dusk until dawn will consist of seven or eight “circuits.” Each circuit will include a live audiovisual stream projected and amplified into the performance space for the musicians to instantly score as the events unfold. To learn move about our performance, that is free and open to the public, please visit these resources:

instant-cinema.org
2013.northernspark.org/project/instant-cinema

Visual Storage: MFA 2013 Thesis Exhibition

visual-storage

This Friday, May 17 from 6 to 9:30pm (during the opening night of Art-a-Whirl) is the opening reception for the Master of Fine Arts 2013 Thesis Exhibition at the Northrup King Building, Gallery 254, 1500 Jackson Street NE, Minneapolis, MN 55413. I will be showing a series of prints titled Spectral Tablature with an iPad application to “listen” to the prints (more on that later), a 32″ interactive touchscreen installation titled, Machine Machine, and a kiosk with a series of filmed performances. I will also be debuting a performance piece titled, Instant Cinema, featuring DKO (music), David T. Steinman (mobile operator), and Jon Steinhorst (art direction). The performance begins at 9:00pm. Admission is free and open to the public. Two years of hard work has led up to this single night. If you have any interest in art, sound, music, or performance please consider attending. Thank you!

DKO at FRANK Part 3: Everyday Music

This is another excerpt from a performance by DKO from the MCAD MFA open studio night on December 7, 2012. The document features Oliver Grudem (not shown) who produced the audiovisual score in real-time. The video and sound coming from the LED display and loud speaker below it was broadcast into the performance space as Oliver walked around the Minneapolis Uptown area during a snow storm. Listen for traffic, footsteps, car horns, and the occasional blurt of humans speech. The visuals and sound from his walk provided a “score” for the ensemble to respond to as we improvised. Oliver was also able to hear the musical reactions to the audiovisual score as he was broadcasting and respond accordingly.

The piece was recorded with my custom built binaural head microphone (Vincent) to capture the sound localization of the performance space. Remember that it is necessary to wear high quality, circumaural headphones to experience the binaural effect. While watching, imagine you are in the same position as Vincent. You should hear the bass clarinet in your left ear, the Rhodes and synthesizers to the right and the drums and video sound in front. The relative height of the sound should also be noticeable.

Dueling Monotribes 121BPM

This video features me and Lucas Melchior improvising on two synched up Korg Monotribes. This time with the tempo at 121BPM. The Korg NanoKontrol is being used to apply swing to the sync signal as well as control delays and filters.