Monotribe Meets Pro-One Part 8: Plus Monotron

Posted on March 17, 2012 by John C.S. Keston

This is my favorite from the series of microtracks featuring the Korg Monotribe synched with the Pro-One that I’ve produced so far. For this experiment I also plugged my Korg Monotron into the Monotribe’s audio input. This can be heard as the higher pitched drone following the bass line. At around 0:15 the Pro-One arpeggiator fades in. Finally at about 0:54 the Monotron pitch ramps up about an octave, goes a little sharp, goes at little flat, then rests fairly close to the octave as the feedback on the Memory Man saturates the Pro-One notes.

Monotribe Meets Pro-One Part 7

Posted on March 16, 2012 by John C.S. Keston

Here’s one more from a group of microtracks that feature the Korg Monotribe synchronized in various ways with the Sequential Circuits Pro-One.

Monotribe Meets Pro-One Part 6

Posted on March 14, 2012 by John C.S. Keston

This is the sixth piece from a collection of microtracks that I have produced using the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. This one starts out with out drums and then double bass drum fills come in near the end.

Monotribe Meets Pro-One Part 5

Posted on March 13, 2012 by John C.S. Keston

This is the fifth microtrack from a series that I produced using the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. This one was edited out of a longer session where I was taking a few liberties with knob turning on the Memory Man and on the Pro-One.

Monotribe Meets Pro-One Part 4

Posted on March 12, 2012 by John C.S. Keston

Here we have the fourth example of microtracks made with the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. The odd time in this case is caused by setting the number of active steps differently for the synthesizer versus the drums — a new feature that was added with the Monotribe 2.0 software update.