CNET has a brief article about this, but the video says it all.
Putting Out Fires: I Knew Sound Was Good for Something
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Category Archives: Audio News
This is the Opposite of a Suicide Note
Here’s a quick change of pace. The drummer that you have been hearing in the last six entries is, of course, Graham O’Brien who is also responsible for remixing the Guante track This is the Opposite of a Suicide Note. As well as being an excellent drummer, Graham is a seasoned producer who has recently teamed up with Adam Krinsky to form Bellows Studios in St. Paul, Minnesota where he produced, mixed, and mastered this remix. These are the same studios where Ostracon is working on our second album.
In Habit: Living Patterns Time-lapse
This video created by Caleb Coppock illustrates the time scope (from dusk until dawn) of the In Habit: Living Patterns performance at Northern Spark, June 2012. I composed the music for the sixteenth and final vignette in the sequence titled, Energy and then adapted it for the time-lapse sequence.
Keep an eye/ear out for upcoming documentation that will display the dance movements in real-time. I also have some video with binaural audio recorded at one of the performances that I will be sharing as well.
Slam Academy of Electronic Arts
I have recently accepted a position as an adjunct instructor at the Slam Academy in Minneapolis, Minnesota. With two Ableton certified instructors the school is offering a variety of classes in electronic music, but also stretching out into topics like Max for Live and music for video games. I will be teaching occasional master classes and private lessons that focus on my listed specialties of Max/MSP, Max for Live, Processing, sound synthesis, and jazz theory. Please checkout the school at Slam Academy, or like the Facebook page for more information.
SoundCloud Group for AudioCookbook.org
Today I created a SoundCloud group for AudioCookbook.org readers and contributors. I thought this would be a great way for readers to share what they are producing and perhaps feature occasional works on ACB. I have shared a handful of my tracks and experiments just to get started, but I’m ultimately looking for contributions from the ACB community at large. If you “SoundCloud” please feel free to share work that you have produced in an interesting or unique way. If you have created a Max for Live patch to process your sounds, made a particularly interesting field recording, or produced music using newly developed or experimental techniques; whatever it is, if it strays from the norm and sounds interesting we’d love to hear it!