I don’t really have much to explain about this recording. I was trying to get some dirty warbled sounds by playing my bass through an octave pedal. This is an example of harmonics using just the single lower octave setting. The result is a really fun nasally percussive sound. Perhaps this could be the catalyst for a new Keston and Westdal piece.
A few years back I decided to enter a remix contest presented by ccMixter and XLR8R Magazine. The track to be remixed was “Colors Shifting” by Ghostly International recording artist Christopher Willits. Of course the contest was almost over when I started so I was really just doing it for shear creativity. I used only a small amount of samples that were available which included a string section, voice and guitar sound I think. One of my favorite sections of this remix was created by sampling my own bass harmonics and then programing them into a pretty melodic pattern. I had a couple email conversations with Chris himself letting him know that I couldn’t finish it in time. He was nice enough to let me know he would consider a late submission but I ended up working on it for another month and kept it to myself until now.
Santa brought me a wonderful little Kodak Zi6 HD video camera this year. I spent a couple hours on a meditative down tempo track just to inspire me to create a short film. I have no name for the young audio piece but I do have a fragment of it to share. I was experimenting with the macro setting and got some nice lens flare action.
The Mississippi River is where my mates and I like to retreat to for fun and mischief. The other day
I was poorly documenting John Keston making some field recordings of a passing rowing team with my cell phone camera. I took the audio from the footage and made a little ambient piece using loads of processing. If I explained the treatment that I used on this short little low bit number I would have to write a book. So I’ll keep it short. I’m also posting the video so you can catch a glimpse of our late afternoon shenanigans. Now do you understand how I got the title for this ditty?
This is only my second post on Audio Cookbook as I’ve been busy getting married in the last couple of months. Anyway, I’ve had more time to work on sounds and music (the organization of sound) and so I thought I would share a short segue tune that I’ve decided to include in my upcoming ten72 release Bicycle Family. The song sounds a bit like two other shorts that I’ve produced and helped produce. One is Baby Teeth from the ten72 release Flavour Country and Aerosol Eighty from the Keston and Westdal release One Day to Save All Life. This Short track has a working tittle of Teity which is my own alternate spelling of tidy. The programing is a mix of shorty little tidy samples mixed in with slick classic TR808 drum sounds. I played a really far out jazzy guitar melody over the top and it seemed out of place so I destroyed it with loads of filtering, dubby delay, and other fun tricks. The result is a nice contrast to the tidy bits. It flows in and out of the tiny sound particles like an electric stream.