I added some delay to spread the stereo spectrum on this synthesizer drone of a low frequency fifith interval. During the recording you can hear the cutoff frequency changing as I turned the knob for it. On my most often used synth, the Korg MS2000 that was used for this recording, the surface around the cutoff frequency knob has been polished smooth from wear. I use it much more frequently than the modulation wheel or pitch wheel. I love knobs.
Synthesizer Fifths Drone
Here’s a snippet from a piece I started composing on March 28, 2007. I don’t remember exactly how I created the sounds other than the instruments that I used (Rhodes and Korg MS2000) and some of the processing applied (too many to name), therefore I don’t have a lot to say about this piece, other than:
1. It’s unfinished
2. It uses a variety of processing
3. I don’t know why I called it “Travel Glide”
4. There is no obvious significance between the image and the composition
Travel Glide
I bought this instrument for a bargain price at a music store quite some time ago. It’s an inexpensive Japanese made version of a melodica. They sound a lot like harmonicas, but has a keyboard to play the notes. Hohner makes the most popular versions of this instrument, but I really like the gravelly tone of this one that I recorded during a session on August 2, 2006.
Pianica
In January, 2008 I wrote about the sound design I had produced for an animated short film called “Drown” (43mb – right click to download the movie) by Aaron Dabelow. In that entry I illustrated how I created ambiance for the underwater atmosphere of the piece. Here’s a recording of my electric beard trimmer. I used it to create the sound for the mechanical humming bird like creatures in the film at about 1:08 minutes.
As I was recording I moved the beard trimmer past and around the mic to simulate the movement of the creatures, which use high speed rotary fans for locomotion. Once I synchronized the the audio to the animation it seemed to fit quite well. As you can see, it’s probably about time that I stopped recording electric razors and started using them on my face.
Electric Razor
As a producer, a technique I have found that is an effective way to develop the dynamics of a performance is by adding expression through automated processing. In this phrase of synth from a composition that I’m working on I have applied automation to add an expressive quality to the recording.
I have always been fascinated by the Doppler effect as it is mechanically applied to sound through the use of Leslie speaker cabinets. I own a Leslie cabinet that I had modified so that I was able to run instruments through the amplifier, other than Hammond organ, and control the speed with a foot switch. My goal was to play my Rhodes through a Leslie, and this is something I did during live performances for years to come.
My favorite characteristic of the Leslie is the slowing down and speeding up of the motors that control the speaker rotation. This can be simulated quite well with plugins or virtual instruments such as the Native Instruments B4. In this example, rather than use Leslie simulation, I opted to simply automate the “Rate” parameter in Live’s Auto Pan effect. Leslie simulators often add other characteristics like motor noise, filtering and distortion, but I wanted to keep the signal relatively clean while still getting a speeding up and slowing down expressive quality to the instrument. To get the full effect of the automated panning, listen with headphones firmly planted on ears.
Automated Auto Pan