Motherboard.tv has just released the second episode of their Sound Builders series featuring sound designer and composer, Diego Stocco. This is a really nice glimpse into Diego’s fascinating working method. If you’re unfamiliar with Diego’s work, make sure you visit his site and check out the videos of his recent creations, and sometimes destruction.
This Monday, March 29, 2010 is the second installment of Experimental Music Mondays curated by John Keston. The line-up this time includes Pawlic (Jesse Pollock) and Terr the Om (Nathan Brende).
Sandwiched between them is Ostracon. This is the name I’m using for the plural version of Ostraka. This instance involves the usual characters, John Keston (aka Ostraka), Graham O’Brien, and the addition of Oliver Grudem who will be interjecting his enigmatic imagery as an input source for the generative musical phrases produced by the GMS.
The venue is the Kitty Cat Klub, 315 14th Avenue SE, Minneapolis, Minnesota. The music starts at 9:00pm.
Although I had seen photos of the Rev 1.2 mushrooms (mine was made prior to Rev 1.2), I didn’t expect to see Chenrezig, the Tibetan Buddha of Compassion, silk screened onto the circuit board of my Sequential Circuits Pro-One, or the Buddhist mantra, “Om Mani Padme Hum”, etched into the board in Tibetan characters. Even better, Sequential Circuits founder and MIDI pioneer Dave Smith initialed the circuit board twice in the upper left hand corner.
I should mention that this is my second Pro-One. The first one was stolen, and I bought the second one to replace it since I needed that exact sound for the band I was in at the time. The new one was missing a mod wheel. Later one of the knobs was broken off at a show or studio session, so I’m pretty excited to have it restored to it’s former glory.
Checkout the gallery to see the photos of the restoration process. The second and final session of the restoration happened the moment I received the missing parts. These included a replacement modulation wheel (although I think it turned out to be a pitch wheel), a replacement potentiometer, and a missing knob.
The first thing I did was install the mod wheel. Then it was time to swap out the broken pot. I had to remove the circuit board to do this, so while I had it out I thought it would be a good idea to clean things up a bit, so that was the majority of time spent. Finally I removed the old pot, replaced it, and reassembled everything, cleaning things up along the way. Before I put all the screws in I gave it a quick listen to make sure it still worked and the new parts were functional. It was an evening’s work, but more like fun to be honest. Enjoy the pics.
What good is a Weird Sound Generator if you’re not using it to make weird sounds? Sometimes it is nice to just hold it on your lap and stroke it gently. That aside, it’s quiet useful once you plug it in and start twiddling the knobs. Here’s a piece I created by tuning the each of the four oscillators on the WSG and then fiddled with the filters. At the same time I made some adjustments to a phaser that I was running it through in Ableton Live and topped it off with ping pong delay.
Four Oscillator Drone
I’ve created a slideshow that illustrates the process of building my Weird Sound Generator, from the unopened box through completion of the project. The third photo in the series (shown below) shows the items that came out of the box including all of the components for the WSG and a CD by Ray Wilson titled Electroluminescence.
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