Audio Technology Research Funding

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After nearly two years free of advertising, I have decided to include sponsorships on AudioCookbook. This was not a decision that came easily, but I concluded that advertising was not bothering me on other sites, similar to ACB that I visit regularly, so perhaps it won’t bother me here. In any case, all the funds that are collected from sponsors and donations will go into an account that will be used exclusively for research projects that will be featured on ACB. The cost of the equipment and software that I purchase for these projects will surely exceed any income by these means, but perhaps it will help offset the expense.

What helped lead me down this path was an offer from TuneCore to participate in their affiliate program. I am one of the partners of Unearthed Music and we have used TuneCore for digital distribution since September, 2006. We have used other distribution and licensing agencies before, and still do (until we can get out of our contracts), but what makes TuneCore unique is that they do not take a percentage of your royalties. Instead they charge a one-time delivery fee, followed by affordable yearly storage fees. Our label has had much better returns with TuneCore than other services, so I feel comfortable endorsing them.

I hope the advertising on ACB does not turn anyone away. I plan to keep the ads discreet and the content of the same nature as it has been for the last year and ten months. No reviews, just continued experimentation and research into whatever weird and wonderful sound discoveries we make or find along the way. If you have thought on this, please share them. Reader feedback, comments and opinions are one of the main reasons why I continue to create content for ACB.

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

2 thoughts on “Audio Technology Research Funding

  1. I think it’s a good idea. It costs money to build the awesome things you build, and if you can have some help from advertising, why not.

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