The Wonderful World of Nature

First up i’d like to formally introduce myself, I’m John and a musician from London, England. You can find out more about me by going to the contributors page.

Now onto the sound. For my first sound here at audiocookbook.org I wanted to start quietly. The recording is of a bucket containing lots of snails. 137 of them to be precise. They were collected by my flat-mate who was trying to stop them eating all the vegetables she had just planted in our garden. Recording them was not easy because they are very quiet and also surprisingly fast escape artists as you can see from the photo. Although the recording is a little noisy (due to high gain settings) you can hear their little shells clattering together and there slimy suction action as they make a bid for freedom. Please note no snails were harmed in the making of this recording and they were set free after their 5mins of fame. Recorded with a matched pair of Oktava MK012’s and a DAV electronics BG1 preamp.
Snails in a bucket
 


Sound For Dali’s Melting Clocks

I created this track using Tiction (recently featured on CDM), an interesting piece of MIDI sequencing software created by Hans Kuder and developed in Processing. Tiction works by connecting nodes together to form loops. Each node has properties that can be adjusted like the number of “tics”. Dragging the nodes around the screen changes the pitch and volume of the nodes. I routed the MIDI output from Tiction into MDA’s DX10 while dragging and adjusting the nodes on the screen. After capturing the output I processed it through Pluggo’s Comber and a little bit of reverb. Here I have rendered the first fifty seconds as an excerpt for today’s sound.

Melting Clocks

Broken Beat Jazz Funk

I’m too busy to produce any new sounds today, so here’s a track off Keston and Westdal’s second release, Truth is Stranger, for your listening pleasure. My best estimation is that we produced this track back in 2004, but the album wasn’t released until we partnered with Unearthed Music in March, 2007. The track’s name, 128 Dirty, is an example of one of those working titles that doesn’t go away. We must have used up all our creativity on producing the track and had nothing left to name the damn thing. You can preview all of the tracks on this album on the releases page at Unearthed Music, or just click on the image or title to go to the page specifically for Truth is Stranger.

128 Dirty

Large Clay Ocarina

This large clay ocarina was a gift from my friend Jerry who purchased it from his friend Barry who used to craft them and then sell them at Camden Market in London. This recording is from 2003 and was used on an experimental improvisational piece I worked on with Dr. David Means during my Music Technology studies at Metropolitan State University. I originally ran the sound through all sorts of processing including delay and reverb, but here I’ll include it in its original state. You can still hear some room ambiance, and a curious high frequency overtone created by the hardened clay resonating.

Large Clay Ocarina

Signal to Noise Magazine

Keston and Westdal’s latest release, One Day to Save All Life (ODTSAL), has been reviewed in Signal to Noise, The Journal of Improvised and Experimental Music. This review from “The most respected journal of experimental, improvised and otherwise interesting music” (DustyGroove.com) is the highest praise yet for the release. Please visit Unearthed Music to read the review.

Unearthed Music makes full-length 128kbps MP3 previews of every track in their catalog available on their website. So, in light of the review I am including one of my favorite tracks from ODTSAL, Electric Sheep, as today’s sound on AudioCookbook.org. If you like what you hear consider purchasing music from our independent and artist owned label. Why? Because without your support we and others like us would not be able to continue providing you with the music you love. And what kind of world would that be?

Electric Sheep