WSG Build Gallery


I’ve created a slideshow that illustrates the process of building my Weird Sound Generator, from the unopened box through completion of the project. The third photo in the series (shown below) shows the items that came out of the box including all of the components for the WSG and a CD by Ray Wilson titled Electroluminescence.



The next photo is a shot of the circuit board with a few of the resistors installed. I started by sorting the resistors and then carefully soldered them onto the board in groups of the same resistance. I wanted to make sure that the WSG worked after building it with minimal troubleshooting, so I took my time and was methodical about soldering the components to the circuit board, checking and rechecking the schematics before applying the solder.



Two above is the circuit board with all of the resistors and the two IC sockets installed. This was as much as I had time to complete on the first night of my build. Notice the brown paper underneath the board. I put down a layer of thick brown paper from recycled grocery bags to protect the table where I was doing the soldering. The next shot (just above) shows the circuit board with all of the components installed, including the resistors, ceramic caps, electrolytic caps, diodes, transistors, and ICs.



The next two shots (above) show the front and back of the faceplate after installing the pots and switches. I cut the faceplate from an old computer case and drilled holes for each of the eleven potentiometers, seven switches, audio output, and four screw holes to secure the faceplate to the wooden frame.


By far the longest and most tedious step was cutting, stripping and soldering all the leads necessary to connect the ciruit board to the controls and output on the faceplate. More than 65 solder joints were necessary to connect the 50 or so leads from the components to the circuit board or other components. This shot shows all the leads connected and operational.


The last couple of steps involved mounting the circuit board and 9 volt battery to the backing. The plastic battery holder shown in the photo is actually an old mount for a set of window blinds that I had stored in my toolbox. It just happened to be exactly the right size to hold a 9 volt battery. Serendipity.

This entry was posted in Sound Design, Synth DIY and tagged , , by John CS Keston. Bookmark the permalink.

About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

3 thoughts on “WSG Build Gallery

  1. Finally got time to read through this. Nice little project! I’m still amazed by the photo quality of your phone, so maybe I’m a bit jealous!

Leave a Reply