About John CS Keston
John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research.
John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.
Slashdot.org has an article about a site that is hosting the sounds of thirty five different hard drives failing. Although the recording quality is generally poor there are some really interesting sounds including a Maxtor drive with a stuck spindle producing a “futuristic cell phone melody”. You can read the article and checkout the sounds here, although it might be a bit busy due to the site being slashdotted.
Thanks for posting the article link.
These drive failure sounds are so loverly, I thus used them (exclusively) to create some musical patterns for a little tune:
http://raschedv.net/dl/HarddriveFailureHiFi.mp3
For the (first minute) intro part I mixed them in their original states. In the second (lyrical) part I had to pitch them to obtain decent material for constructing melodies and chords. Of course it would have been too much work to process and insert each single note manually by editing the waveforms. Instead I created my own soundfont, based on the particular noises. This way I could execute the composing in a MIDI editor and render the notes using the soundfont.
The vocals were rendered online (TextToSpeech by AT&T Labs).