The Slate Race is Official

Gizmodo has a couple of interesting articles illustrating how the race to release a multi-touch slate device is heating up. First up is Slate Showdown. In this article specs from a broad collection of upcoming slates have been compiled and compared. Devices running Android and Windows 7 will be the most prevalent competitors to Apple’s iPad.

Another impressive development are new details regarding Notion Ink’s Adam Tablet. Reportedly the Android device will output 1080p video via an HDMI output, has a 10.1″ capacitive touchscreen capable of recognizing six simultaneous points of contact, and supports Flash.

Love or hate the iPad, it has certainly stirred up the pot. Most of these devices were under development long before Apple’s announcement, so what we’re seeing is not necessarily a “jump on the bandwagon” effect, but more of a “hey look, over here, we’re already working on that!” reaction.

The alleged fear of litigation over Apple’s supposed multi-touch patents has seemed to evaporate as more and more devices are announced. And let’s not forget Jazzmutant’s beloved Lemur. Take a look at Peter Kirn’s article What’s Next For Lemur for a lively discussion about the controller, it’s future, and competitive products.

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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