Thank You, Prince (June 7, 1958 – April 21, 2016)

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There will be volumes written about the icon known as Prince, AKA the artist formerly known as Prince, and originally Prince Rodgers Nelson in the next few days. I am just one of hundreds of humble musicians who have lived their careers in the shadow of this physically diminutive yet metaphorically giant monarch of Minneapolis. Prince’s influence is inescapable in this town. Virtually every artist here owes some fraction of their success, vision, and motivation to his legacy. Prince put Minneapolis on the map maintaining his presence here despite his celebrity. Wherever I have travelled, anywhere around the world, and told people I live in Minneapolis the first words out of their mouths are, “Ah! Prince!” Whether or not you’re a fan there’s no denying the enormous talent of this man. Although few artists from Minneapolis sound quite like him, he helped define the music scenes in Minneapolis and St. Paul. Working as a musician in the town that Prince built leaves no room for slouches. Regardless of style or genre we have had the impeccable musicianship, virtuosity, creativity, and showmanship of Prince to live up to. The Twin Cities, Minnesota, and the world at large are simultaneously mourning and celebrating Prince’s life and music for good reason. Every show of his I experienced was unforgettable. My heart goes out to everyone he touched. He was “dearly beloved” and will be dearly missed. Thank you, Prince.

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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