Taming of the CPU 3.0 March 12, 2016

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On March 12, 2016 the third edition of The Taming of the CPU will commence at The Nicollet (now called Reverie), 1931 Nicollet Avenue, Minneapolis. Music will begin at 9:00pm. The Taming of the CPU is a series of live electronic music sets paired with live video performances. Chris LeBlanc who was interviewed here recently will provide the visuals for all three musical segments. The musical artists include John Keston (that’s me), Mike Hodnick who recently wrote an article here about his experiments with the Roland System-1m, and Lucas Melchior with whom I produced Dueling Tempests and four Dueling Monotribe videos.

Photo and art by Chris LeBlanc

Each time we organize one of these events we perform new material or new versions of our material. Chris is continually evolving his techniques and refining his approach to the visuals. For this event he’ll be bringing in Michael Lund as a collaborator. Be prepared for a pyramid of gorgeous, vintage CRT displays driven by Machael’s liquid light show and Chris’ state-of-the-art, modular, analog, video gear. I always look forward to these shows, not just for the opportunity to perform, but to see and hear what Chris, Luke, and Mike have up their sleeves. What’s more is that we are planning a short collaborative set at the end of the night. More information about the event is available on the on the Facebook event page. Have a listen to Luke’s (MKR) exceptional set from last time to whet your appetite:

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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