Graham O’Brien CFCs Video Featuring Alicia Wiley and Eric Blair

ACB contributor, friend, and collaborator Graham O’Brien recently released an excellent solo album titled Live Drums available November 27, 2010 on NOECHO Records. On it he collaborates with a variety of artists, including the piece titled CFCs with Alicia Wiley and Eric Blair of No Bird Sing. This stop-motion animated video featuring the track was made entirely by 15 year old Malone Mischke. What is entirely surprising to me about the video is the artistic maturity, sensibility and confidence of the imagery paired with the music. Congratulations to, Graham, Alicia, Blair, and Malone!

Green Plasma 3D by Ralph Hauwert

Ralph Hauwert created this Pixelbender 3D Distance Field Raymarcher, rendered out in After Effects at HD resolution, and used my track Rhodes Pedal Noise from Precambrian Resonance for the music. Check out the HD video below.

Jred Smyth Triggered Drum Performance

Graham O’Brien and I really enjoyed our Ostracon performance at the In / Out Festival recently. Part of what made this festival for us was all of the other incredible performers and speakers at the event, such as Rosa Menkman and Peter Kirn. One prominent example was Jred Smyth who gave an energetic and inspired solo drumming concert featuring triggered sounds that transformed the work into evolving structured compositions. Checkout the video clip above of Jred Smyth with Blair Neal on visuals.

Cappuccino Synth Video Via CDM

Cappuccino Synth from Gijs on Vimeo.

I first saw this on Create Digital Music a few days ago, and although I think most ACB readers keep well abreast of what’s up on CDM, I’ve watched this several times now and think it deserves a re-post here. For more about this video visit the original post.

Experimental guitarists have been doing similar things like holding power tools or more recently, mobile phones, up to their pickups to generate interesting sounds. Here’s a video I shot of Siamese Bug a duet of Tim Glenn on drums with contact mics, and Jeremy Ylvisaker on prepared guitar.

Siamese Bug Video

Ever Wonder What it Would be Like to Draw Sound?

I’m working on a MaxMSP performance patch that uses a Wacom tablet to draw light onto dancers holding light sensitive instruments. Last night we decided to apply sound to the strokes to give the illustrator another way to interact in the piece. Currently the pressure from the pen is translated into the volume and the velocity is translated into pitch. It will need some fine tuning, but I think you can get the idea from the video.