Cassette Tape and Evolving MKS-80 Pad Driven by GMS

After a few hiccups we have finally finished producing our limited run of cassettes. We only have 25 instead of the 50 we had planned, but all the j-cards and labels are printed so we can produce more quickly if need be. Each cassette contains a unique download code for multi-platform listening. A big thanks goes out to Unearthed Music designer Benjamin Montag for his design work and assembly. Also, major thanks to Wes without whom it would have never happened. Finally, thanks to Chris for the inspiration. For now, to get a cassette you will have to show up to the release show tomorrow night. Later on we may consign a few at local stores, but this media is for local consumption only.

Unauthorized Modifications was written and produced by John Keston (that’s me) and Graham O’Brien. The album was recorded, engineered and mixed by Adam Krinsky and mastered by Tom Garneau. For the release show performance I have opted to christen my Super Jupiter Roland MKS-80 for it’s first live show since I have owned it. Here’s an example of what I have been getting out of it and the GMS during my practice sessions.

Evolving MKS-80 Pad Driven by GMS

Reel to Reel Tape JAM!

Hey Cookbookers,

I’ve had a brilliant few last days, and amongst the highlights were the acquisition of a used AKAI 4000d tape machine. A bit on the machine first – I got it through an very healthy program called freecycle.org here in the UK. I simply put an ad up asking if anyone had any old noise making bits that they didn’t use anymore, and I got a response from a decent bloke who offered me a tape machine he couldn’t get to use.

Delighted I picked it up, he showed me how to thread the tape (a bit before my time you see…) and such. I was immensely grateful and helped him out with some technical computer bits out of gratitude.

Story over, now for the fun. I’ve hooked my Tape machine up to the PC, and routed it through a focusrite preamp and sherman filterbank. I love the retro psychedelic sound – type stuff, and was playing around with feedback loops and such. It turned into a jam, with my loops and samples, and feedback etc. and (i’m not sure if this is meant to happen) but the fast forwarding and rewinding of the tape picked up all the noise, but in super high speed. I think this sounds brilliant. Check it out!

*IT’S LOUD!!!* :D
Tape Machine Jam