MUTO by BLU

A friend sent me this link to an animated piece done on public walls in Buenos Aires and it was just too good not to post here. Fortunately, the piece is fitting for this venue due to the quality of the audio involved.

The animation is amazing, but one of the things I like especially about this piece is the sound design and music. It’s starts deceptively with typical city ambiance, but when the animation begins it quickly changes into a combination of experimental music and clever sound design carefully synchronized to the visuals.

More information about the artist and examples of their work can be found at blublu.org. The animation is by BLU assisted by Sibe, and the music / sound design is by Andrea Martignoni.

MUTO a wall-painted animation by BLU from blu on Vimeo.

Rhodes Wah Wah

Today I was digging through my recording archives and came across a nice example of me running my Rhodes through a wah wah pedal with a little overdrive on it. So not being one to leave well enough alone, I sequenced the recording into a short phrase at 90 bpm.

I started by pitching a couple of the chords to create a progression, then added some delay and reverb to give it a nice cinematic ambiance. Perhaps I’ll build a track out it at some point. It reminds me of something from the soundtrack for the Fantastic Planet. By the way, the image is a photo of one of my Rhodes electric pianos. I own three of these very special instruments. Two of them I use for live performances, while the suitcase model in the photo stays put in my studio.

Rhodes Wah Wah

From Your Kitchen to ABC

I have to admit it, I like comfort. I’ve always loved working on a track while sipping some good Port, enjoying all the nuances of a perpetual loop. Unfortunately, this is not a luxury that a composer/producer can always enjoy. This one time I was desperately trying to deliver a track on time for a submission, yet-another ‘maybe it will go through’ situation. I had to catch a flight to LA a few hours later and was really looking forward to this trip, since I had never been to California! I really almost refused to work on this submission this time, I still had to pack and get ready for some gigs I had there with Kirsten Price. But it happens often: you get the call, they need a track, but NOW! You end up working impossible hours to make the deadline and…’Sorry, they loved it but it didn’t make the cut’.

I really had no time to run back to the studio to work on this track, so sitting in my girlfriend’s kitchen, I decided to give it a shot using all I had there: MacBook, MOTU Ultralite audio interface, Korg K USB controller and a pair of cheap ear-buds. Talk about basic! For the sounds, I used a couple of Virtual Instruments: Spectrasonics Trilogy, Stylus RMX and the Korg synth bundle that came with the K controller. In the end the track was done, mixed and uploaded via FTP to the production company within an hour total, all the time I had. I made it to the airport in time.

One whole year later, to our surprise, this one made the movie, that turned out to be ‘A Raisin In The Sun‘, a pretty major TV event that aired on ABC. The lesson I’ve learned: never get too comfortable, always be ready to deliver in a professional manner -even when working from your kitchen- and your music will take care of the rest.