The intervals in a major scale are really the same as a minor scale. What’s different is the starting point. All the pitches in a major scale are the same as its relative minor, which is down a minor third. So the difference between a melody in a minor key and a major one is the root note. The same melody can be minor or major depending on the perspective of the listener. The last pattern I posted is only in a minor key if you consider C the root. If you consider E flat the root, then the melody is in a major key with C being its relative minor. In this case, the pattern is in C major, so if you listen with an A (the relative minor of C) in mind you’ll hear it in a minor scale.
GMS Major Scale
In my previous example of audio created with my gestural music sequencer, that I’m tentatively naming GMS, I presented a pattern of sampled Rhodes notes in a chromatic scale. One of the functions I’ve built into the application is the capability of switching scales. Currently the available scales are major, minor, pentatonic minor, and chromatic. Here’s an example of the application producing notes in a minor scale. One thing you may notice is the dynamic range. By gesturing lower within the Y axis the notes get quieter, while gesturing near the top of the screen makes notes that are louder. 
A big thanks goes out to Jason Striegel and Nick Watts for inviting us to perform at 
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