I’m really enjoying the Sound Builder series on Motherboard.tv, but this episode is brilliant. Now if I could just get the real-time version of that sped up footage! For more about Reed Ghazala checkout his bio and sounds from his instruments on anti-theory.com.
Lately, as you might have noticed, I’m attracted to synthesizers that don’t necessarily use keyboards for input. The Korg Monotron is a $60.00 battery operated true analog synthesizer with a ribbon controller and five knobs to control pitch, LFO rate / intensity, and VCF cutoff / peak. The Monotron will be available in the US this July. For more details checkout this article on Synthtopia.com.
Read on for more Korg Monotron videos. The next one is especially good.
I’m currently working on a sound design project for a client who is looking for a way to generate specific sorts of sounds using easy to understand controls. I started by creating a frequency modulated drone generator. The tool has a mixer with six preset pitches plus noise. I also included amplitude modulation, with sliders to control the amount, LFO, and a frequency multiplier to allow for FM synthesis effects. Here’s an audio example that illustrates the range of sounds possible with this set of fairly simple and intuitive controls.
Drone Tool Example
I am excited to have the opportunity to teach an upper level sound design class to digital film students this Fall. I have several books in my collection that relate to sound design that cover very specific topics, but what I’ll need for the class is a book that covers a broad spectrum of concepts within the field. The course competencies include multi-tracking, mixing, sampling techniques, signal processing, equalization, editing, synchronization of audio and video, Foley, and ADR. Does anyone have any suggestions for a book focused on sound design, but general enough to cover all of these topics?
To give you an idea of what I’m looking for, I currently use Real World Digital Audio by Peter Kirn for an entry level audio production class that is a prerequisite for the sound design class. Peter’s book works really well because it’s current and covers exactly what I wanted for the audio production class in an illustrated, thorough, yet clear and concise way.
This Monday, April 26, 2010 is the third installment of Experimental Music Mondays at the Kitty Cat Klub in Minneapolis, Minnesota. The line-up includes violin soloist Kip Jones, Ephemeral Structures, and Primidonahue (Michael Donahue). The music will start at around 9:00pm and there’s no cover to get into the club.
Yesterday afternoon I had a fantastic session with Ephemeral Structures. Although we have all worked with each other in several capacities, this is only the second time the group has performed in eight years. The result of yesterday’s session were pretty inspiring, so we are considering producing an album. The project includes Kyle Herskovitz (also know as DJ Zenrock) on turntables, Nils Westdal on bass and electronics, and me on electronics. The photo shows Kyle playing his turntable with a rubber band. I’ll share a segment of what we captured in a upcoming entry.