OEM: What is Organic Electronic Music to You?

Sometime in 2007 I came up with the term, “Organic Electronic Music” to describe music I was producing with bassist Nils Westdal in our project, Keston and Westdal. I’m sure that I wasn’t the only person to think of this combination of words, and in fact, a quick search reveals several artists, labels, and others using the phrase. Our use of the phrase was a reaction to our distaste for genre labeling. In hindsight it would have been sensible to define the meaning of the phrase there-and-then, instead of simply using it in a few descriptions for tracks and albums.

In any case I found myself thinking about this recently and decided that it wouldn’t hurt to define what I mean by the phrase and perhaps discover some new music that ACB readers feel fits into my definition. In my view any style of electronic music can be considered organic electronic music (OEM). Dub step, house, downtempo, experimental, or even minimal techno can be “organic” as long as the music meets one or more of a few simple criteria. Click the link to read my brief list of parameters.
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Nice Evolving Arpeggio in Seven

I’m enjoying the sound of things like this more than I ought of late. I programmed the sound and processed it via the usual suspects.

Nice Evolving Arpeggio in Seven by Ostraka

Synthesizer Phrase Reversed and Pitched up an Octave

Backwards and Up an Octave

What Do You Use to Generate Subharmonic Frequencies?

Played these chords on the Super Jupiter the same day I recorded the last sound. As is my habit, I programmed the patch without saving it, so this will be a one off microtrack unless I decide to reverse engineer the sound for one reason or another. Again, I decided to apply the same technique to add the bass frequencies as I did before (adding it to another layer, dropping the pitch an octave, and running it through a low pass filter). Out of curiosity, what processors do you use to create subharmonic frequencies in your work? Do you use hardware or software? What in your opinion are the advantages and disadvantages of each?

Polyphonic Synth with Subs (Part 2)

Polyphonic Synth Passage with Subharmonics

I played this passage of notes on the Roland MKS-80 after spending a couple of days programming sounds. Listening back I wanted to hear more bass, so I looked around for a good subharmonic generator plugin, but didn’t find anything and decided to just add it to another layer, drop the pitch and then run it through a low pass filter. After some customized chorus settings, delay, and reverb, this is what I ended up with.

Polyphonic Synth Passage with Subharmonics