ACB Live Volume 1 & 2 Videos

AudioCookbook Live is underway over on Twitch.TV with the next episode to feature musician Eric Julio Carranza on February 21, 2023. In the meantime enjoy these captured version of the first two sessions from the series:

ACB Live Volume 2 featured Chris LeBlanc on visuals, John C.S. Keston on synthesizers, and Charles Hainworth on cameras and streaming.

ACB Live Volume 1 featured a solo performance John C.S. Keston on synthesizers, with Chris LeBlanc on cameras and streaming.

Read on for a few screen grabs from volume 2: Continue reading

ACB Live, Volume 2: Video Artist Chris LeBlanc

AudioCookbook Live, Volume 2 is happening tonight, Tuesday, January 17, 2023 at 7:30 and will feature video artist Chris LeBlanc. This fundraiser for The Link is a free streaming concert with optional donations. I will be improvising music based on LeBlanc’s improvised visuals creating a vicious cycle of mind melding, psychological, feedback loops. A special thanks goes out to Charles Hainsworth for donating his time and expertise in videography and streaming. Check it out on Twitch.TV/AudioCookbook at 7:30pm.

AudioCookbook Live: November 15, 2022

The COVID-19 pandemic introduced many of us to the comforts of streaming concerts at home, while some of us had already been experiencing concerts this way. As a performer I was thrilled to participate in a handful of streaming events while the pandemic had shuttered venues and driven us indoors. Although by no means over, the recent decline in cases has allowed many music venues to reopen, while others have had to close permanently. I have had the good fortune of performing live several times since cases have begun to decline and I hope that trend continues (both cases declining and performance inclines). However, not since I started performing in my late teens have I played so infrequently, which feels wrong somehow, and makes it more time consuming to prepare for performances when they do arise.

Yet I have resisted organizing and performing my own streaming events. I have several unjustified rationalizations for this; fear of low attendance, fear of technical issues impacting the quality, and a reluctance to get started and learn everything necessary to broadcast. So I have put a date on the calendar to stream a solo concert on Tuesday, November 15, 2022 at 7:30pm. There is a long list of pros and cons for live streaming. The biggest con being no in-person contact with the audience and community. But it is not my intent to replace in-person live shows. My hope is at minimum to increase my opportunities for performing, expand my studio practice, and entertain some people. The streams will be free and open to the public.

Projects on this blog, like One Sound Everyday, One Synthesizer Sound Every Day, and Sound / Simulacra have motivated me to keep making music. I see streaming performances as a vehicle for keeping up with my performance routine. Perhaps it will evolve into a monthly event with guests. I expect brief discussions after each performance, answering questions from the stream chat, sharing my setups, and covering topics within music technology, sound design, electronic music, and improvisation. Stay informed about these events by subscribing to AudioCookbook, or by following AudiocookbookBook on Twitch.TV. The events will always be free with donation to The Link encouraged. The For in-person events (mostly in Minneapolis) I have a separate email list you can join by emailing me directly at keston [ at ] audiocookbook [ dot ] org.

Performing with the Dirtywave M8, Numa X GT, and Prophet REV2

This month I will be playing a solo set at RÖK Eatery in St. Paul on Thursday, October 20th at 7pm. 7th St. W, Suite 12, St. Paul, MN 55102. This is an exciting opportunity for me to improvise with some amazing instruments that I have been working with recently. These include the Numa X Piano GT, a gorgeous sounding stage piano, my beloved Prophet REV2 polysynth from the late Dave Smith, and a handheld tracker/sampler/synth called the Dirtywave M8.

I am still surprised by my own decision to include the Dirtywave M8 in this setup given that I did not anticipate using it in a live setting, but with the collection of customized tools I’ve been crafting that aid with improvisation and experimentation I’m finding it to be a rewarding combination. More to come!

Searching for the Perfect Stage Piano (Part 2: VTines MK1)

A recent setup for John C.S. Keston with a Rhodes EP at the McGuire Theater, Walker Art Center, Minneapolis

As I continue my search for the “perfect” stage piano (spoiler: there isn’t one) I have been asking myself if it is practical and/or desirable to use a VST instead of a dedicated hardware instrument. This is an approach that I have used in the past, and one that many professionals choose, so I have decided to explore a few modern examples of this possibility in detail.

Since the Rhodes (the actual 130lbs version) has been the instrument of choice for me for many years, the first thing I wanted to determine was if there was an electric piano VST that could emulate the Rhodes well enough to satisfy my ears. Over the years I have used Lounge Lizard (Electric in Ableton Live), Arturia’s Stage-73 V, and several others with limited success. This article is a reflection on a new-to-me VST that might just work in my weird and atypical performance and studio setups. No emulation has the ability to replace the Rhodes, but I’m hoping to find a satisfactory facsimile for live performances.

The latest Rhodes VST that I have found interesting is VTines MK1 from Acousticsounds. Although VTines MK1 provides only one electric piano model, is it by far the most adjustable of the examples I have used. For example VTines MK1 allows for the adjustment of around 9 parameters on a per key basis! In other words you can adjust the virtual “pickup distance”, “tine height”, and more for individual notes on the instrument. Continue reading