Although the video quality is not what I’d like I recorded the audio in multitrack then, mixed it, and applied some rudimentary mastering. As a result the archived videos sound better than the original stream. Enjoy!
Tonight I am performing a solo set of original electronic music featuring instruments including the Dirtywave M8, Prophet REV2, and Numa X Piano GT. The instrument are integrated through a complex web of apps and customization on iOS including AUM and Mozaic to name two. Check it out at the Terminal Bar, 409 E. Hennepin, Minneapolis, Minnesota. My set starts at 8pm ans is followed by the jazz improv trio SingleCell who just released a new album titled Regeneration.
Please enjoy this archive of the stream from ACB Live Volume 3 featuring Eric Carranza from April 18, 2023. Eric and I had a great time improvising together. I love Eric’s playing, his sense of sound design, and the way that he builds textures with electronics.
I am excited to join the talented Eric Carranza for AudioCookbook Live Volume 3, this Tuesday, April 18, 2023. Stream starts at 7:30pm. I have had the pleasure of playing with Eric during the Voltage Controller series, and a handful of times with Yeti Steady including Suwal Singh on Tablas. Watch it at twitch.tv/audiocookbook We will be raising money for TheLinkMN.org through optional donations. Hope to see you there!
Eric Carranza is an artist and music educator based in the Lowertown Arts district of Saint Paul. His musical work can be heard on recent albums by artists such as Dem Atlas, Justin Titus and batteryboy to name a few. Eric collaborates and performs with many creative musical artists including Lady Midnight and Molly Brandt. In personal creative endeavors, he has a rich and diverse pool of projects to juggle (Excessive, Jest, SPACEGLOW, Yeti Steady, PRINTS etc.) as well as musical composition and sound design for mobile games, apps, ads, and more. — ericjuliocarranza.com
SYNTAX is an exercise in programming computers to program ourselves. Mike and I each composed four movements for a total of eight generative, animated, graphic scores. We follow the unpredictable yet familiar visuals making each performance similar, but distinct from the next.
The piece questions technological idealism in an age of ecological disruption and data-driven exploitation. By deliberately coding and submitting to an “inversion of control” we’re evoke the warnings of media theorists like Douglas Rushkoff, that we risk a future wherein our behavior might be irreversibly dictated by the algorithms in the software we use instead of by our own volition. If you can’t catch our performance in South Bend, we’ll be performing it again in Kalamazoo, MI the next day at the Dormouse Theatre.
