Inevitably one of the results of the One Synthesizer Sound Every Day project that I started in January is to produce an Ostraka album. So far I have nearly thirty tracks in the works. Many of them will end up on the cutting room floor, but here’s an excerpt from an introduction for one of the pieces that I’m confident will make the roster. The segment starts with a washy arpeggio on the D-50 morphed into a pad with copious amounts of reverb and delay. Next up are some MKS-80 effects that introduce an unprocessed bouncy arpeggio in six eight time.
Once again, on March 13, 2011, my trio DGK performed at the Honey Lounge in Minneapolis, Minnesota in collaboration with a distinguished array of comrades. During part two, in addition to the guests listed for part one, we have spoken word artist Kristoff Krane and bassist Josh Granowski. This section of the recording is even more chatty than the last one, but in a way it’s just a little more character sprinkled into the document.
On March 13, 2011, my trio DGK (Jon Davis on bass, Tim Glenn on drums, and John Keston on Rhodes and Pro-One) performed at the Honey Lounge in Minneapolis, Minnesota in collaboration with an esteemed line-up of colleagues. Through the night people came and went, so in the upcoming parts of this series I’ll name the individuals involved. For the beginning of the evening it was DGK with Martin Dosh on additional drums, and Juno Alpha 1, Scott Fultz on electric guitar and soprano saxophone, Andrew Broder on electric guitar, Rajiah Johnson on flute, and Brandon Wozniak on tenor saxophone. The record is a bit chatty at times, but that’s to be expected with bootleg recordings. You never know, you just might stumble across a bizarre conversation buried in the mix.
“Execute Rogue Citizen” will be on display at Gallery 13 until April 1. The opening reception, Incarceration, will be this Friday night and features music by Ostraka starting at 7:30 p.m.
The closing in two weeks, Reprieve, will feature the music of Seawhores. All the art that has gone unsold during the show’s run will literally be executed. By doing this, Rogue Citizen hopes to acknowledge the way the system benefits only those who can afford it.
Let’s hope there will be no art leftover on execution night. Created by science-fiction nerds who love to paint the abnormal, Rogue Citizen’s work is much too nifty to get tossed, even if it is to make a valid point on our current social system.
Here’s an excerpt from a track a produced today that I’ll be performing in my Ostraka set tonight. All the sounds in this piece were made with the Roland Super Jupiter MKS-80 apart from the drums.
