OEM: What is Organic Electronic Music to You?

Sometime in 2007 I came up with the term, “Organic Electronic Music” to describe music I was producing with bassist Nils Westdal in our project, Keston and Westdal. I’m sure that I wasn’t the only person to think of this combination of words, and in fact, a quick search reveals several artists, labels, and others using the phrase. Our use of the phrase was a reaction to our distaste for genre labeling. In hindsight it would have been sensible to define the meaning of the phrase there-and-then, instead of simply using it in a few descriptions for tracks and albums.

In any case I found myself thinking about this recently and decided that it wouldn’t hurt to define what I mean by the phrase and perhaps discover some new music that ACB readers feel fits into my definition. In my view any style of electronic music can be considered organic electronic music (OEM). Dub step, house, downtempo, experimental, or even minimal techno can be “organic” as long as the music meets one or more of a few simple criteria. Click the link to read my brief list of parameters.
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SoundCloud Group for AudioCookbook.org

Today I created a SoundCloud group for AudioCookbook.org readers and contributors. I thought this would be a great way for readers to share what they are producing and perhaps feature occasional works on ACB. I have shared a handful of my tracks and experiments just to get started, but I’m ultimately looking for contributions from the ACB community at large. If you “SoundCloud” please feel free to share work that you have produced in an interesting or unique way. If you have created a Max for Live patch to process your sounds, made a particularly interesting field recording, or produced music using newly developed or experimental techniques; whatever it is, if it strays from the norm and sounds interesting we’d love to hear it!

Love Lessons from Regina

Here’s another analog synth, electro-funk composition that I have kept in a locked drawer for almost a year, taking it out occasionally to brush of the dust and hold it against the light. If this track doesn’t become your Summer jam then it is time for me to give up on music and wonder When did music become unimportant? Aside from the drums, this track was made entirely using my restored Roland Juno-106. Few instruments rival the punchy sounds that the 106 seems to spurt out with only a few careful strokes of her many sliders. Please enjoy responsibly.

Track Made Entirely with Korg Monotribe

I made this track, titled Crowd Dance, almost entirely using the Korg Monotribe synced in Ableton Live. There are 8 layers of the instrument plus a subtle analog drum pattern that includes the wood block, sampled from an old organ. This is one of several works in progress commissioned by the American Composers Forum for a collaboration with a choreographer. It is music for the opening vignette of “In Habit” that will be performed by the Aniccha Arts Dance Company at Northern Spark on June 9, 2012.