The Somethin’ Else #5: I, Synthesizer

Posted on October 6, 2010 by John C.S. Keston

The Somethin’ Else #5, curated by Jon Davis, will take place Friday, October 8, 2010 at the Franklin Art Works, 1021 E Franklin Avenue in Minneapolis. The theme this month is synthesizers.

I’ll be playing my restored Sequential Circuits Pro-One as well as my preferred axe, the Rhodes in the group DGK (Davis, Glenn, Keston) featuring Jon Davis on bass and bass clarinet, and Tim Glenn on drums.

The roster of artists playing this event has reached a total of eleven for four hours of synthesized madness. Artists include The Radar Threat, Moonstone Variations, DGK, Slapping Purses, S/M, SMAK 10K, Soaking Rasps, Dreamland Faces, Low-Gain, Spacebar, and John Vance.

Here’s one of my favorite live recordings from the last DKG performance to give you a taste of what’s to come.

DGK Live on August 30, 2010 (Track 1)

52 Minutes of Music for the Brave at Heart

Posted on July 29, 2010 by John C.S. Keston

On Monday, July 19, 2010, my latest trio featuring Jon Davis on bass guitar and bass clarinet, Tim Glenn on drums, and me on Rhodes and Sequential Circuits Pro-One, played at the Kitty Cat Klub for the Experimental Music Mondays series.

I recorded the set on my Sony PCM-D50 and applied some subtle mastering with Ableton Live. I’m pretty fond of how the music and the recording turned out other than the fact that the bass clarinet is too low in the mix.

Here are the three tracks of improvised music from the evening adding up to around fifty two minutes. If you like experimental improvised music be prepared to have a long and challenging listen.

Davis-Glenn-Keston Track 1

Davis-Glenn-Keston Track 2

Davis-Glenn-Keston Track 3

Book Ideas for a Sound Design Class?

Posted on April 28, 2010 by John C.S. Keston

I am excited to have the opportunity to teach an upper level sound design class to digital film students this Fall. I have several books in my collection that relate to sound design that cover very specific topics, but what I’ll need for the class is a book that covers a broad spectrum of concepts within the field. The course competencies include multi-tracking, mixing, sampling techniques, signal processing, equalization, editing, synchronization of audio and video, Foley, and ADR. Does anyone have any suggestions for a book focused on sound design, but general enough to cover all of these topics?

To give you an idea of what I’m looking for, I currently use Real World Digital Audio by Peter Kirn for an entry level audio production class that is a prerequisite for the sound design class. Peter’s book works really well because it’s current and covers exactly what I wanted for the audio production class in an illustrated, thorough, yet clear and concise way.

Experimental Music Mondays: Ephemeral Structures

Posted on April 26, 2010 by John C.S. Keston

This Monday, April 26, 2010 is the third installment of Experimental Music Mondays at the Kitty Cat Klub in Minneapolis, Minnesota. The line-up includes violin soloist Kip Jones, Ephemeral Structures, and Primidonahue (Michael Donahue). The music will start at around 9:00pm and there’s no cover to get into the club.

Yesterday afternoon I had a fantastic session with Ephemeral Structures. Although we have all worked with each other in several capacities, this is only the second time the group has performed in eight years. The result of yesterday’s session were pretty inspiring, so we are considering producing an album. The project includes Kyle Herskovitz (also know as DJ Zenrock) on turntables, Nils Westdal on bass and electronics, and me on electronics. The photo shows Kyle playing his turntable with a rubber band. I’ll share a segment of what we captured in a upcoming entry.

Spark Festival 2009 Documentation

Posted on December 16, 2009 by John C.S. Keston

A website was recently launched by Andrea Streudel and Ali Momeni containing vast amounts of video and audio documentation for the 2009 Spark Festival. I’m going to be spending some time reliving some of my experiences there from last February. This is an incredible archive of materials from the festival. Something from virtually every performance, installation, keynote, and concert is available. To get an idea of the festival and the scope of the documentation I suggest watching the Spark Festival 2009 Overview.

And I would be remiss if I didn’t suggest watching the footage of my group Keston and Westdal with Graham O’Brien at the Bedlam Theater during one of the nightlife events (complete with crazy dancers). More documentation of Keston and Westdal’s performance is available including more video and a complete audio recording of the show.

Visit the site to download footage or audio of practically everything that happened at the festival.