Fourteen Live Mixes from Ostracon: Track 9

Here we have track number nine from fourteen Ostracon live, rough mixes. Please comment, share, retweet, or like if you’d like to hear the rest of these. Thanks!

Fourteen Live Mixes from Ostracon: Track 8

Today, please enjoy track eight from fourteen Ostracon live, rough mixes. As I have been saying, if you’d like to hear more from this collection please comment, share, retweet, or like. Thanks!

Fourteen Live Mixes from Ostracon: Track 7

We are now up to track seven from fourteen Ostracon live, rough mixes. If you’d like to hear more from this collection please comment, share, retweet, or like. Thanks!

Pigs on Horses

The Mississippi River is where my mates and I like to retreat to for fun and mischief. The other day
I was poorly documenting John Keston making some field recordings of a passing rowing team with my cell phone camera. I took the audio from the footage and made a little ambient piece using loads of processing. If I explained the treatment that I used on this short little low bit number I would have to write a book. So I’ll keep it short. I’m also posting the video so you can catch a glimpse of our late afternoon shenanigans. Now do you understand how I got the title for this ditty?

Pigs on Horses

 

 

ten72 Segue Track Preview

This is only my second post on Audio Cookbook as I’ve been busy getting married in the last couple of months. Anyway, I’ve had more time to work on sounds and music (the organization of sound) and so I thought I would share a short segue tune that I’ve decided to include in my upcoming ten72 release Bicycle Family. The song sounds a bit like two other shorts that I’ve produced and helped produce. One is Baby Teeth from the ten72 release Flavour Country and Aerosol Eighty from the Keston and Westdal release One Day to Save All Life. This Short track has a working tittle of Teity which is my own alternate spelling of tidy. The programing is a mix of shorty little tidy samples mixed in with slick classic TR808 drum sounds. I played a really far out jazzy guitar melody over the top and it seemed out of place so I destroyed it with loads of filtering, dubby delay, and other fun tricks. The result is a nice contrast to the tidy bits. It flows in and out of the tiny sound particles like an electric stream.

Teity