While preparing today for my presentation at the the Eyeo Festival I made this microtrack using the GMS and Ableton Live.
Eyeo Preparations Microtrack
While preparing today for my presentation at the the Eyeo Festival I made this microtrack using the GMS and Ableton Live.
Eyeo Preparations Microtrack
MKS-80 Clip Lifted from Ostracon Release Show
After a few hiccups we have finally finished producing our limited run of cassettes. We only have 25 instead of the 50 we had planned, but all the j-cards and labels are printed so we can produce more quickly if need be. Each cassette contains a unique download code for multi-platform listening. A big thanks goes out to Unearthed Music designer Benjamin Montag for his design work and assembly. Also, major thanks to Wes without whom it would have never happened. Finally, thanks to Chris for the inspiration. For now, to get a cassette you will have to show up to the release show tomorrow night. Later on we may consign a few at local stores, but this media is for local consumption only.
Unauthorized Modifications was written and produced by John Keston (that’s me) and Graham O’Brien. The album was recorded, engineered and mixed by Adam Krinsky and mastered by Tom Garneau. For the release show performance I have opted to christen my Super Jupiter Roland MKS-80 for it’s first live show since I have owned it. Here’s an example of what I have been getting out of it and the GMS during my practice sessions.
Evolving MKS-80 Pad Driven by GMS
I made this microtrack during a practice session for the release show on Friday. The sound of the Roland MKS-80 never ceases to delight my ears, and pairing it with the GMS provides a whole new spectrum of inspiration from the instrument.
GMS Microtrack with MKS-80