This video features me and Lucas Melchior improvising on two synched up Korg Monotribes. The Korg NanoKontrol is being used to apply swing to the sync signal as well as control delays and filters. As I mentioned earlier, we are teaching a class, titled “Drum Machines,” starting January 17, 2013 at the Ableton certified training center Slam Academy in Minneapolis.
Sign up for the class here:
http://slamacademy.com/2012/11/09/drum-machines
This is an excerpt from a performance by DKO from the MCAD MFA open studio night on December 7, 2012 as discussed in the post Live Binaural Recording of DKO with Oliver Grudem. The document features Oliver Grudem (not shown) who produced the audiovisual score in real-time. The video and sound coming from the LED display and loud speaker below it was broadcast into the performance space as Oliver walked around the Minneapolis Uptown area during a snow storm. The visuals and sound from his walk provided a “score” for us to respond to as we improvised. Oliver was also able to hear our musical reactions to the audiovisual score as he was broadcasting and respond accordingly.
The piece was recorded with my custom built binaural head microphone to capture the sound localization of the performance space. NOTE: It is necessary to wear high quality headphones to experience the binaural effect. The spatial properties of studio monitors are also acceptable but will not produce the same localization of the sound sources. Thanks goes out to Eric Dowell for shooting video of the one hour long performance. I am working on editing a shorter version to briefly summarize the essence of the piece. This 13 minute video is a more in depth snapshot of what the performance entailed.
This video features me and electronic musician, Lucas Melchior, on two synched up Dave Smith Instrument Tempests. Everything was played live into the machines. No parts were pre-recorded. It’s all live. The two of us are teaching a class, titled “Drum Machines,” starting January 17, 2013 at the Ableton certified training center Slam Academy in Minneapolis. Learn how to make music synchronizing your musical devices, old and new. Featuring Ableton Live, DSI Tempest, Expert Sleepers, Korg Monotribe, SCI Pro-One, and more.
Sign up for the class here:
Slam Academy – Drum Machines!
On Friday, December 7, 2012 the MCAD MFA program had its yearly open studio night. Last year it was called SHOW + TELL, but this time we titled it FRANK. There was some amazing work up all over our Whittier studio spaces. I contributed by directing a performance featuring my trio DKO and MCAD alum, Oliver Grudem, who provided a real-time audiovisual score for the ensemble to “read”. This relates to my thesis research in progress, but in brief the audiovisual content was broadcast over a mobile network as Oliver traversed around the city sending us what he saw and heard as it happened.
This is another binaural recording featuring David Byrne’s installation “Playing the Building” at Aria in Minneapolis, this time with the ensemble DKO (Jon Davis on bass clarinet, John Keston on the installation, and Graham O’Brien on percussion).
You can read more about the installation at Aria’s website, but it lends itself perfectly to being documented through binaural recording techniques because the sounds literally come from all around you. There are motors, mallets, and pipes installed on walls, girders, and metal stairs in the historic, gutted, warehouse building, all which are activated from the keyboard of a repurposed, antique, pump organ.
The recording was made with a custom built binaural head microphone. I made the device with a styrofoam mannequin head, a set of silicone ears designed for acupuncture practice, and a pair of Shure MX202 microphones embedded into the ear canals. Once again it is critical that you wear headphones to experience the localized binaural effect, although I just listened on my studio monitors and it sounds very clear and wide, maintaining lots of the spatial qualities.