Here’s the third piece from our performance at the Slam Factory for Try This #3. More to come.
DGK at Try This #2 (Part 3)
Here’s the third piece from our performance at the Slam Factory for Try This #3. More to come.
DGK at Try This #2 (Part 3)
This arpeggio includes stacked Roland D-50 and Roland MKS-80 sounds, plus some mad, metallic, nightmarish, knob tweaking that I did on the MKS-80. For me the piece invokes a vision of unsuspecting creatures going about their business, unaware of a predatory horror that lurks in their midst.
Arppegio with Nightmare
I played these dense open ninth chords triggering both the Roland D-50 and the Roland MKS-80 simultaneously.
Ninth Chords on Stacked Polys
I created this polyphonic wind sound on the Roland MKS-80 using the Bitstream 3X to manually modulate the filter to give it a more natural and irregular sounding whistle. I did this rather than using the LFO because although I could adjust the rate the sweep would be automated and too regular instead of being based on human judgement. I am presenting it here in mono with no processing. If I were to use this I would process it in several ways including some volume automation, panning, equalization, probably a bit of slap back delay for stereo imaging, and a fairly short linear reverb that doesn’t sound too roomy.
Manually Modulated Polyphonic Wind
I accidentally created this pack of cyber wolves on the Super Jupiter. I was dialing in sounds while watching the oscilloscope and getting all sorts of crunchy delights when all of a sudden I was hearing these eerie howls. Fortunately I was recording all along, so afterward I edited it down to the best bits and uploaded it for your enjoyment.
Robot Wolf Pack