Precambrian Resonance

Remember those Precambrian rock noises from North Shore Rocks? Well for this piece I loaded the unprocessed recording of those rocks into a simple sampling plugin, then arpeggiated the sampler randomly within a scale. This created a cloud of stumbling chaotic rhythms that changes every time it is played back in the software.

I listened to this for a long while, fascinated by it, then decided to run it all through the Resonator in Ableton Live. This processor produces a chord of resonant pitches that react to the signal sent to the device; in this case, my falling rock sample. Since the rocks had no discernible pitches, this instantly created a musical bed of sound. I tuned the resonance to a C minor 9 chord and then automated the tuning of a fifth pitch to create a melody. A little bit more fussing about, and this is what I got.

Precambrian Resonance

Distorted Percussion

In this category I am planning to post a new sound everyday. I may not have created the sound the very same day of the post, but it will be something recent at the very least and more than likely created on the day I submit it. The idea is something like my colleague Tim Armato’s p{365} blog where he is posting a Processing sketch every day for a year.

My goal is to learn more about some of the audio processing that is available to me. It’s not always convenient when working on a project to explore new plugins or new ways to use old ones, especially in the studio or while collaborating. With this exercise I can do that and archive the results here. I’ll briefly describe the process of creating each sound and something about the software and hardware involved.

Today’s sound is a loop of audio that has been heavily processed in Ableton Live with filter taps (Pluggo), distortion, eq, dub delay (MDA), reverb, and more. The loop is an excerpt from a remix of “Some Kind of Adhesive” (One Day to Save All Life) that I produced with Nils Westdal. Believe it or not it started out as a simple shaker pattern. To me it sounds similar to the over driven thumb pianos of Konono N°1, although this was an accident since I was basically tuning the pitches to work in the remix. After I added distortion and a little virtual knob turning on the dub delay, this is what I got.

Distorted Percussion

Backyard Bacon Rain Ambience

I’ve always tried to keep my ears open as wide as possible and to record something at the drop of a hat when I witness a spectacular sound or just have a melody trying to pry it’s way out of my head. Sometimes these ideas come at the darnedest times. Making a BLT Sandwich is usually a pretty greasy situation. Last month I was frying up some bacon for the family in hopes of making the ultimate BLT when I was suddenly hearing a rainy day. I had a notion that if I recorded the sound of my sweet bacon sizzling and slowed or pitched it down that it would sound just like rain. I had to do it. My first recording was made with an AKG c4000b. I used a lesser quality mic, a Shure BG 1.1, for the second. I assure you that both mics got as close to the action as possible without becoming caked with grease. The outcome was not as my ears were hearing it. I dropped each wav file into Ableton Live and panned them about 33L and 33R. I added just a touch of reverb to blend the two. Sounded like rain to me! To top it off I made a field recording in my backyard that included mostly birds chirping and added it to the mix. This made it a bit more convincing.

So, the BLT’s were the bomb and the recording turned out to be worthy of using. By the way, I only use Berkshire Bacon!

Bacon Rain

Water Atmosphere

drown thumbRecently I had the pleasure of producing the audio for a short animated piece called “Drown” by Aaron Dabelow. I simply recorded myself blowing bubbles in water with a straw. I captured in it Ableton Live 6 with my AKG c4000b large diaphragm condenser at a distance of about 9 inches, being careful not to splash water on the mic. The processing included down pitching an octave or so, running it through a high pass filter, and then dousing the works with some massive reverb.

Water Atmosphere
– From “Drown”