Postfauxpocalypse Live Show Excerpt

Here’s a two minute excerpt from my live performance, Postfauxpocalyse, on October 24, 2013 at Popup Northrop. Recorded directly from a Mackie 1202 VLZ Pro to a Sony PCM-D50 at 48kHz/24bit. The only instruments used were a DSI Tempest, Korg Volca Keys, and Korg Monotribe. I also used a Memory Man analog delay during the performance.

“Postfauxpocaplypse brings together MAW members Jenny Schmid, Davey T. Steinman and Eben Kowler with musician John Keston for a night projection event that employs live drawing, animation, wireless camera feed, roaming interactive performance and responsive soundscapes. This piece responds to our current post-fake-apocalyptic state of illusion by embracing morbid seasonal imagery to respond to non-functioning governments, surveillance and a culture of excess.”

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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