This segment of unprocessed Rhodes was used in Processed Rhodes Pedal Noise. Why 138.72 BPM? The reason is that when the Rhodes was originally recorded I was using tap tempo to beat match another musician during a late night recording session. Obviously, naturally produced music is played in fractional tempos, so it’s funny what you end up with for locked-in tempos in electronic music using this technique. Update: just replaced the loop with a version that matches the zero crossings and doesn’t click.

Unprocessed Rhodes at 138.72bpm