More Image to Sound Techniques: Mould by Nick Froud

Today’s fascinating sound is another example of the conversion of digital imagery into sound and was submitted by Manchester based artist Nick Froud. Nick writes:

“I have been following your blog for months and have found it really inspiring. The software featured in your most recent entry is quite similar to a program I (very quickly) put together for an exhibition idea I have. My girlfriend produces photography based and nature and process, I wanted to adopt these ideas into sound that could accompany each of her pictures in a gallery.

The program I made converts an image directly into sound by scanning along each pixel and outputting a sample to a wave file based on an average of the red, green and blue channels. It also outputs the red green and blue channels as CC data in a MIDI file. In this way, I intend to create music entirely generated from an image but with human direction as to choices of effects to be controlled by MIDI data, layering of sounds etc. The sound generated are much noisier than in other sound / image conversion applications, but I think it gives a better feel of the texture of an image.”

You can hear more of Nick’s creations on his myspace sites Crunchy Alligator and Circastate.

Mould

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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